Mutekae's Instagram Audience Analytics and Demographics

@mutekae

United Arab Emirates

A Satellite for Digital Creativity and Electronic Music المهرجان الدولي للإبداع الرقمي والموسيقى الإلكترونية
United Arab Emirates

Business Category

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PROFILE OVERVIEW OF MUTEKAE

Average engagement rate on the posts is around 1.10%. The average number of likes per post is 18 and the average number of comments is 2.

Check mutekae's audience demography. This analytics report shows mutekae's audience demographic percentage for key statistic like number of followers, average engagement rate, topic of interests, top-5 countries, core gender and so forth.

Followers
1,764
Avg Likes
18
Avg Comments
2
Posts
443

GENDER OF ENGAGERS FOR MUTEKAE

Female
0 %
Male
0 %

MENTIONED HASHTAGS OF MUTEKAE

RECENT POSTS

16 2

Repost from @mutekes • ➤ There is no border between human beings and nature. It's all biology. The biological description generates categories that are often inflexible, which, when taken to people, condition the existence and development of the subjects. @efeceele.cazzida.dot presents at MUTEK ES Symposium at @casaseat through a live talk-performance, a dialogue between science, transmedia art and music in which the boundaries between disciplines are blurred. ➤Efe Ce Ele: ‘Taxonomy, Gender and Technological Art’ + Bio-Synthesis’ March 3rd. Free entry with prior reservation, link in bio. #MUTEKSimposium #talk #debate #charla #conference #diversidad #genero #cultura #industriamusical #musicindustry #electronicmusic #diversity #genderdiversity #genderequality #nogenderroles #nogender #AmplifyDAI

11 0

Repost from @mutekmontreal • As comfortable with ambient and pop-chamber arrangements as she is with techno, @clara_aguilar is a composer, multi-instrumentalist, and 💎 of Barcelona’s electronic music scene. Don’t miss her performance as part of @mutek.jp’s Connect series on virtual.mutek.org (link in bio) — available for free until Sunday, January 16! — Aussi à l'aise avec les arrangements ambient et chamber-pop qu'avec la techno, @clara_aguilar est une compositrice et multi-instrumentiste, joyau de la scène électronique de Barcelone. Ne manquez pas sa performance dans le cadre de la série Connect de @mutek.jp, sur virtual.mutek.org (lien dans notre bio). C'est disponible gratuitement jusqu'à dimanche le 16 janvier !

19 0

Repost from @mutekmontreal • @masayuki_azegami is an electronic musician, visual artist and designer based in Tokyo, Japan; @komakinex is a programmer, visual artist, and a corporate warrior of @taki_corporation in Tokyo. On December 11, they came together during @mutek.jp to share an audiovisual story — follow the link in our bio to watch their captivating performance for free until January 16. — #mutek #mutekmontreal #mutekjp #visualart #audiovisual #visualartist #audiovisualperformance #liveperformance #electronicmusic #musicperformance #musicfestival #virtualmutek #art

31 1

The archive video of Marihiko Hara & Ryo Shiraki performed at MUTEK.JP 2021 in December will be distributed on the virtual platform at 20:00 on Sunday, January 9th. You can see it for free. 2022.01.09 Sun 20: 00-20: 50 JST Marihiko Hara & Ryo Shiraki (JP) (Cb: Hiroaki Chiba, Vn: Anzu Suhara, Vc: Masabumi Sekiguchi, Vc: Yumiko Iwao, Santur: Kazune Iwasaki) ➤ http://virtual.mutek.org @mutek.jp #mutek #mutekjp #haramarihiko #linecube #linecubeshibuya #ryoshiraki #audiovisual #digitalart #experiementalmusic #piano

20 0

@andrewthomashuang’s “Flesh Nest” is a scrolling video painting that deconstructs the anatomy of Internet infrastructure as a hellish sci-fi virtual landscape. The piece is part of “2092”, @mutek.jp’s online exhibition — view in full at virtual.mutek.org (link in bio). @mutekmontreal #andrewthomashuang #2092 #mutekjp #mutekmontreal #mutek #scifi #liveperformance #music #musicvideo #virtual #virtualmutek #audiovisual #visualart #electronicmusic

15 0

When it seemed that in 2021 celebrating together would be impossible, we decided not to lower our arms. That is why we made virtuality our main meeting point, and we knew how to get the most out of it! Thanks to a lot of work, there were no shortage of opportunities to enjoy the best of international digital creativity through the virtual.mutek.org platform. At the end of the cycle, we want to thank all the institutions, partners, teams and artists who collaborated to make this an atypical, but great year for MUTEK. Infinite thanks! See you in 2022 ;)

15 0

Here’s an excerpt from NYC graphic designer/3D visual artist @nicoleruggiero and Parisian multidisciplinary artist @ines.alpha’s “Tears In The Wind”. The piece is part of “2092”, @mutek.jp’s online exhibition — link in bio!

20 0

Live footage of the remaining 6 artists, which was performed on the stage of the MUTEK.JP festival the other day, will be released this weekend. You can see it from http://virtual.mutek.org in the timetable below. 12.24 Fri 20: 00-20: 45 Chihei Hatakeyama & Seiichi Sega 20: 45-21: 30 Masayoshi Fujita 12.25 Sat 20: 00-20: 30 JACKSON Kaki 20: 30-21: 30 NTsKi & Saeko Ehara 12.26 Sun 20: 00-20: 30 Saskia, Kana Kitty & Yumi Sagara, Hitoshi Sato --Low 20: 30-21: 15 Lemna & Kaori Yasunaga @mutek.jp #mutek #mutekjp #virtual #onlineperformance #audiovisual #electronicmusic #experimentalmusic

9 1

What does the metaverse look like, really? “2092,” @mutek.jp ‘s online exhibition, offers some captivating — and at times dystopian — perspectives on the visceral dimension of our increasingly-virtual lives. Shown above is an excerpt from “Battle of Reality” by @_keiken_, a CGI film that conceptualizes life as a game in which people navigate a new decentralized system. Watch it for free at http://virtual.mutek.org until January 16 #mutek #mutekjp #mutekmontreal #mutekfestival #festival #virtualmutek #liveperformance #visualaudio #music

16 0

Repost from @mutek.jp • • Below is a statement by the duo of audiovisual artist Junichi Akagawa and dancer nouseskou, who will be performing at the live performance of "NAQUYO-Heiankyo's Visionary Universe-" on Saturday, December 25th. ---------------------------- There is no revised commentary. The only information is Heiankyo. Their reaction (expression) from there is a state of accepting and staring at themselves in a natural way, as if the trees were swaying in the wind in a mountain that we do not know somewhere today. The reason for the performance we are about to do, the reason why we met, and the reason why we are dying and passing away. We can explain everything, but if we can, we want to walk outside the explanations we don't know. I think I would be happy if I could laugh outside on a quiet morning in the sun someday. Thank you for watching. thank you. ---------------------------- ◆ NAQUYO Immersive Sound Live Performance Date and time: Saturday, December 25, 2021 14: 00-16: 00 Saturday, December 25, 2021 18: 00-20: 00 Venue: ROHM Theater Kyoto South Hall Cast: Kazuya Nagaya (Music) + Katsuhiko Orii (Shō “Sho”) Junichi Akagawa (Music, Visual) + nouseskou (Dance, Dramaturg) Tickets and details can be found from the link on the profile. #mutekjp #mutek #kyoto #kyotosteam #naquyo

21 0

Repost from @ mutek.jp • • On Saturday, December 25th, a live performance of the art project "NAQUYO", which creates the soundscape of Heiankyo 1200 years ago, will be held in collaboration with MUTEK.JP and KYOTO STEAM. Below is a statement by the duo of composer Kazuya Nagaya and sho player Katsuhiko Orii. <Title> "Reincarnation Reincarnation All Four Movements" Classic song arrangement 1. Twin tone blue dragon 2. Yellow bell tone Suzaku 3. Flat tone White Tiger 4. Board Wataru tone Genbu Sho: Katsuhiko Orii Arrangement: Kazuya Nagaya Video: Kazuya Nagaya <Statement> Heiankyo is a city protected by the four gods. The blue dragon sits in the east, the suzaku in the south, the white tiger in the west, and the genbu in the north. We tried to express the world view as music, relying on the pitch of the tuned Bonsho. The audience was placed in the center of the sound system so that the bells would sound spatially. So to speak, the audience is behind the fictitious Ouchi and listens to the sound of Heiankyo. Furthermore, he listens far to the signs of the four gods that exist in the background of the sound. The four gods are also a metaphor for the seasonal cycle. The blue dragon in the east is the so-called spring, and the suzaku in the south is summer. White tiger is autumn and Genbu is winter. Then the gods are moving and the seasons go by. It is a world of reincarnation. The season is born and then dies. Spring is born and spring dies. The seasons change, winter is born, and when winter dies, spring revolves around. We tried to express the eternal life of time as a background suitable for the four gods. ◆ NAQUYO Immersive Sound Live Performance Date and time: Saturday, December 25, 2021 14: 00-16: 00 Saturday, December 25, 2021 18: 00-20: 00 Venue: ROHM Theater Kyoto South Hall Cast: Kazuya Nagaya (Music) + Katsuhiko Orii (Shō “Sho”) Junichi Akagawa (Music, Visual) + nouseskou (Dance, Dramaturg) Tickets and details can be found from the link on the profile. #kyoto #kazuyanagaya #katsuhikoorii #kyotosteam #naquyo #digitalart

17 0

@mutekes announces its first wave of artists confirmed to its Edition 13 and marks the starting point for the complete reactivation of our network in 2022. Slide the images to know the details and stay connected to all the news from the different cities that host the Festival. All the info in the link in our bio 📌 #MUTEK #MUTEKES # MUTEK2022

* Copyright: Content creators are the default copyright owners. These Images are published on public domains and respective social media for public viewing.

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