#SS2023 'This is going to hurt' - Backstage portraits by @rmvgolfy #lukeazzopardi

#SS2023 'This is Going to Hurt’ as seen by @rmvgolfy With this collection, we continue in our quest to replace the word ‘luxury’ in our rhetoric with ‘bespoke’— its meaning is at once intimate and aspirational. Discover the full collection on www.lukeazzopardi.com #lukeazzopardi

#SS2023 'This is going to hurt' - Backstage portraits by @rmvgolfy #lukeazzopardi

#SS2023 'This is Going to Hurt’ - as seen by @rmvgolfy With this collection, we continue in our quest to replace the word ‘luxury’ in our rhetoric with ‘bespoke’— its meaning is at once intimate and aspirational. Discover the full collection on www.lukeazzopardi.com

The SS2023 'This is Going to Hurt’ campaign featuring studio muse Ruth Borg as seen by Marija Grech. With this collection, we continue in our quest to replace the word ‘luxury’ in our rhetoric with ‘bespoke’— its meaning is at once intimate and aspirational. Discover the full collection on www.lukeazzopardi.com

SS2023 'This is Going to Hurt’ catwalk show at Casino Maltese. With this collection, we continue in our quest to replace the word ‘luxury’ in our rhetoric with ‘bespoke’— its meaning is at once intimate and aspirational. Discover the full collection on www.lukeazzopardi.com - @samchetcutivideo Gnossienne No.1 by Erik Satie Performed by soprano Gillian Zammit & Pianist Lucia Micallef Original poetry in English, Maltese & French by Maria Theuma Set design by Kane Cali Makeup by Gabrielle Zammit Grungo Roberta Portelli Jodie Farrugia Hair by Lara Theuma at Lune Noire

The SS2023 'This is Going to Hurt’ campaign featuring studio muse Ruth Borg as seen by @marmargrech. With this collection, we continue in our quest to replace the word ‘luxury’ in our rhetoric with ‘bespoke’— its meaning is at once intimate and aspirational. Discover the full collection on www.lukeazzopardi.com

A look back at project: BLACK Last November, we were invited by Risette to exhibit at their Valletta space. “Black” was a realm in which the forces at play were those on the flipside of perceived reality. The looks were recreations of a collection released five years ago, but in black; the soft crêpes replaced by paper-like taffeta; the gowns worn inside out; the corsetry worn outside like an exoskeleton. At Luke Azzopardi Studio, we're moving away from presenting garments as products of fashion and towards each one being a wearable art piece. Fabrics used are archival; they carry older stories. Each piece is bespoken into being. The journey becomes yours. www.lukeazzopardi.com @marmargrech @risette_valletta

Driven by the traditional but excited by the experimental. Embark on your own bespoke journey with us. Get in touch on [email protected] @marmargrech @gracysmalta

Luke Azzopardi Studio Tailoring We are driven by the traditional but excited by the experimental. Consultations for tailoring projects are often conversations that test the confines of the tailored object as part of our ambition to generate couture. Studio muse Matthew Bonello photographed by the studio's creative director on 120 film. #tailoring #bespoke #malta #luxury

Luke Azzopardi Studio Tailoring We are driven by the traditional but excited by the experimental. Consultations for tailoring projects are often conversations that test the confines of the tailored object as part of our ambition to generate couture. Discover tailoring: [email protected] Studio muse @bonello_98 photographed by the studio's creative director on 120 film. #tailoring #bespoke #malta #luxury

Dreamy giftware. Gift luxury. Gift Luke Azzopardi. @shotbybahaa