OLAFUR ELIASSON / IN REAL LIFE / @tate JANUARY 2020 MOSS WALL(1994) * Reindeer moss (Cladonia rangiferina), a lichen native to countries in the northern latitudes including Iceland, is woven into a wire mesh and mounted on the wall of a gallery. As the lichen dries, it shrinks and fades; when the installation is watered, the moss expands, changes colour again, and fills the space with its fragrance. Olafur Eliasson uses technical devices and natural elements such as light, water, and fog to transform exhibition spaces into immersive, site-specific environments. Major themes include human perception and our relationship to the natural world. He has been the subject of exhibitions at Fondation Louis Vuitton, Moderna Museet, Tate Modern, and the Museum of Contemporary Art Tokyo, among other institutions. In 2003, Eliasson represented Denmark at the Venice Biennale. #olafureliasson #tatemodern #tate #contemporatyart #tatebritain #artexhibition #londonart #artgallery #southbank #londonlife #nature # 写真好きな人と繋がりたい #ファインダー越しの私の世界 #故宫

OLAFUR ELIASSON / IN REAL LIFE / @tate JANUARY 2020 MOSS WALL(1994) * Reindeer moss (Cladonia rangiferina), a lichen native to countries in the northern latitudes including Iceland, is woven into a wire mesh and mounted on the wall of a gallery. As the lichen dries, it shrinks and fades; when the installation is watered, the moss expands, changes colour again, and fills the space with its fragrance. Olafur Eliasson uses technical devices and natural elements such as light, water, and fog to transform exhibition spaces into immersive, site-specific environments. Major themes include human perception and our relationship to the natural world. He has been the subject of exhibitions at Fondation Louis Vuitton, Moderna Museet, Tate Modern, and the Museum of Contemporary Art Tokyo, among other institutions. In 2003, Eliasson represented Denmark at the Venice Biennale. #olafureliasson #tatemodern #tate #contemporatyart #tatebritain #artexhibition #londonart #artgallery #southbank #londonlife #nature #故宫 #北京

OLAFUR ELIASSON / IN REAL LIFE / @tate MOSS WALL(1994) * Reindeer moss (Cladonia rangiferina), a lichen native to countries in the northern latitudes including Iceland, is woven into a wire mesh and mounted on the wall of a gallery. As the lichen dries, it shrinks and fades; when the installation is watered, the moss expands, changes colour again, and fills the space with its fragrance. Olafur Eliasson uses technical devices and natural elements such as light, water, and fog to transform exhibition spaces into immersive, site-specific environments. Major themes include human perception and our relationship to the natural world. He has been the subject of exhibitions at Fondation Louis Vuitton, Moderna Museet, Tate Modern, and the Museum of Contemporary Art Tokyo, among other institutions. In 2003, Eliasson represented Denmark at the Venice Biennale. #olafureliasson #tatemodern #tate #contemporatyart #tatebritain #artexhibition #londonart #artgallery #southbank #londonlife #nature ＃旅行 ＃即時風格

OLAFUR ELIASSON / IN REAL LIFE / @tate JANUARY 2020 Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before. Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture. #olafureliasson #tatemodern #tate #contemporatyart #tatebritain #artexhibition #londonart #artgallery #southbank #londonlife

OLAFUR ELIASSON / IN REAL LIFE / @tate JANUARY 2020 Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before. Moss wall 1994 #olafureliasson #tatemodern #tate #contemporatyart #tatebritain #artexhibition #londonart #artgallery #southbank #moss

OLAFUR ELIASSON / IN REAL LIFE / @tate - January 2020 Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before. Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture. #olafureliasson #tatemodern #tate #contemporatyart #tatebritain #artexhibition #londonart #artgallery #southbank #londonlife

HAEGUE YANG: TRACING MOVEMENT 8 MAR – 26 MAY 2019 @southlondongallery On the walls, large-scale works from Yang’s Trustworthies series (ongoing since 2010) are shown alongside new Hardware Store Collages (2012- ) and Lacquer Paintings (1994- ), creating a visual dialogue between familiar household objects and abstraction. These works provide the setting for two large, wheeled sculptures developed from the Dress Vehicles series (2011- ): Sonic Dress Vehicle – Hulky Head and Sonic Dress Vehicle – Bulky Birdy (both 2018). Their powder-coated aluminium frames dressed with venetian blinds and brass- and nickel-plated bells create a quiet yet distinctive rattle when activated by performers who periodically move them around the space. The rattling of the moving vehicles traces the unevenness of the floor and intermingles with sounds emanating from clusters of speakers positioned around the space. Yang’s interest in identity politics, movement and dance is inherent in the Dress Vehicle series. Her wider practice has been informed by the life and work of historic figures, such as Dadaist Sophie Taeuber-Arp and the spiritualist George I. Gurdjieff, albeit in often hidden ways, contributing additional layers to her exploration of ideas around migration ——————————————————#art #southlondongallery #artlondon #londonart #contemporary #artcurator #curator #artlovers #museum #artcollector #contemporaryart #artgallery #haegueyang #seoul #berlin #artinstallation #sculpture #documenta #artwork #conceptual #southlondon #camberwell #design #architecture

HAEGUE YANG: TRACING MOVEMENT 8 MAR – 26 MAY 2019 @southlondongallery On the walls, large-scale works from Yang’s Trustworthies series (ongoing since 2010) are shown alongside new Hardware Store Collages (2012- ) and Lacquer Paintings (1994- ), creating a visual dialogue between familiar household objects and abstraction. These works provide the setting for two large, wheeled sculptures developed from the Dress Vehicles series (2011- ): Sonic Dress Vehicle – Hulky Head and Sonic Dress Vehicle – Bulky Birdy (both 2018). Their powder-coated aluminium frames dressed with venetian blinds and brass- and nickel-plated bells create a quiet yet distinctive rattle when activated by performers who periodically move them around the space. The rattling of the moving vehicles traces the unevenness of the floor and intermingles with sounds emanating from clusters of speakers positioned around the space. Yang’s interest in identity politics, movement and dance is inherent in the Dress Vehicle series. Her wider practice has been informed by the life and work of historic figures, such as Dadaist Sophie Taeuber-Arp and the spiritualist George I. Gurdjieff, albeit in often hidden ways, contributing additional layers to her exploration of ideas around migration ——————————————————-#art #southlondongallery. #artlondon #londonart #contemporary #contemporaryart #artgallery #haegueyang #seoul #berlin #artinstallation #sculpture #documenta #artwork #conceptual #southlondon #camberwell #design #architecture

HAEGUE YANG: TRACING MOVEMENT 8 MAR – 26 MAY 2019 @southlondongallery On the walls, large-scale works from Yang’s Trustworthies series (ongoing since 2010) are shown alongside new Hardware Store Collages (2012- ) and Lacquer Paintings (1994- ), creating a visual dialogue between familiar household objects and abstraction. These works provide the setting for two large, wheeled sculptures developed from the Dress Vehicles series (2011- ): Sonic Dress Vehicle – Hulky Head and Sonic Dress Vehicle – Bulky Birdy (both 2018). Their powder-coated aluminium frames dressed with venetian blinds and brass- and nickel-plated bells create a quiet yet distinctive rattle when activated by performers who periodically move them around the space. The rattling of the moving vehicles traces the unevenness of the floor and intermingles with sounds emanating from clusters of speakers positioned around the space. Yang’s interest in identity politics, movement and dance is inherent in the Dress Vehicle series. Her wider practice has been informed by the life and work of historic figures, such as Dadaist Sophie Taeuber-Arp and the spiritualist George I. Gurdjieff, albeit in often hidden ways, contributing additional layers to her exploration of ideas around migration #art #southlondongallery #artlondon #londonart #contemporary #contemporaryart #artgallery #haegueyang #seoul #berlin #artinstallation #sculpture #documenta #artwork #conceptual #southlondon #camberwell #design #architecture

CHRIS BURDEN Measured September 29, 2018–January 26, 2019 Britannia Street, London Gagosian is pleased to present Measured, an exhibition of two large-scale works by Chris Burden: 1 Ton Crane Truck (2009) and Porsche with Meteorite (2013). #art #contemporaryart #installation #chrisburden #london #uk #londonart #gagosian #artgallery With a series of startling actions in the early 1970s, Burden challenged his own mental and physical limitations, and with them the boundaries of art and performance. Shut inside a locker for five days (Five Day Locker Piece, 1971), shot in the arm (Shoot, 1971), and nailed through the palms of his hands to the roof of his Volkswagen (Trans-fixed, 1974), he sought to reflect the violence that defined American politics, society, and media. Over the course of his career, the daring spirit of these early performances evolved into compelling large-scale sculptures that embody technical feats on an imposing scale. Burden used toys (figurines, train sets, Erector parts) as the building blocks for expansive scale models of skyscrapers, dystopic cities, and battlefields; conversely, he deployed actual vehicles (ships, trucks, and cars) in surreal and gravity-defying ways.

CHRIS BURDEN Measured September 29, 2018–January 26, 2019 Britannia Street, London Gagosian is pleased to present Measured, an exhibition of two large-scale works by Chris Burden: 1 Ton Crane Truck (2009) and Porsche with Meteorite (2013). #art #contemporaryart #installation #chrisburden #london #uk #londonart #gagosian #artgallery With a series of startling actions in the early 1970s, Burden challenged his own mental and physical limitations, and with them the boundaries of art and performance. Shut inside a locker for five days (Five Day Locker Piece, 1971), shot in the arm (Shoot, 1971), and nailed through the palms of his hands to the roof of his Volkswagen (Trans-fixed, 1974), he sought to reflect the violence that defined American politics, society, and media. Over the course of his career, the daring spirit of these early performances evolved into compelling large-scale sculptures that embody technical feats on an imposing scale. Burden used toys (figurines, train sets, Erector parts) as the building blocks for expansive scale models of skyscrapers, dystopic cities, and battlefields; conversely, he deployed actual vehicles (ships, trucks, and cars) in surreal and gravity-defying ways.

CHRIS BURDEN Measured September 29, 2018–January 26, 2019 Britannia Street, London Gagosian is pleased to present Measured, an exhibition of two large-scale works by Chris Burden: 1 Ton Crane Truck (2009) and Porsche with Meteorite (2013). #art #contemporaryart #installation #chrisburden #london #uk #londonart #gagosian #artgallery With a series of startling actions in the early 1970s, Burden challenged his own mental and physical limitations, and with them the boundaries of art and performance. Shut inside a locker for five days (Five Day Locker Piece, 1971), shot in the arm (Shoot, 1971), and nailed through the palms of his hands to the roof of his Volkswagen (Trans-fixed, 1974), he sought to reflect the violence that defined American politics, society, and media. Over the course of his career, the daring spirit of these early performances evolved into compelling large-scale sculptures that embody technical feats on an imposing scale. Burden used toys (figurines, train sets, Erector parts) as the building blocks for expansive scale models of skyscrapers, dystopic cities, and battlefields; conversely, he deployed actual vehicles (ships, trucks, and cars) in surreal and gravity-defying ways.