Thejournalinc's Instagram Audience Analytics and Demographics
@thejournalinc
United States
Business Category
Get Our Influencer Rate Card Today!
A brand new way for you to compare the rates of influencers across the world.
Learn MorePROFILE OVERVIEW OF THEJOURNALINC
Average engagement rate on the posts is around 1.19%. The average number of likes per post is 308 and the average number of comments is 9.
Thejournalinc loves posting about Arts and Crafts.
Check thejournalinc's audience demography. This analytics report shows thejournalinc's audience demographic percentage for key statistic like number of followers, average engagement rate, topic of interests, top-5 countries, core gender and so forth.
Followers
Posts
GENDER OF ENGAGERS FOR THEJOURNALINC
MENTIONED HASHTAGS OF THEJOURNALINC
RECENT POSTS
Mie Olise KjĂŠrgaard Tennis Tribute to Rose, Kathy and Leonora, 2023 Acrylic on canvas 86.75 x 76.75 inches #mieolisekjĂŠrgaard #thejournalgallery #thetenniselbow
Paris Reid
So what was once imagined is now invented. Reid was raised with the world view that sees in quantum mechanics a kind of modern mysticism, in how it fundamentally embraces the possibility of two or more distinct truths at once. So, while her canvases appear to present one image, one resolution, one possible scenario, they also represent the collapse of many possibilities and many outcomes down into one moment. A moment in which being and doing, nothing and everything, are one and the same and infinitely entangled. Like an unironed Möbius strip. - Excerpt from David Colmanâs text on Paris Reidâs exhibition at the gallery Paris Reid Nude 6, 2023 Oil on canvas 60 x 48 inches #parisreid #thejournalgallery #thetenniselbow
Your name Ugo Rondinone Your current location New York Your favorite pastime Making things Something you like Swimming Something you dislike Cursing Your defining characteristic Curiosity What would someone close to you say your defining characteristic is Optimism Your favorite artist Louis Michel Eilshemius Favorite word or phrase Sweat, dirt and flesh What aspect of your work is most important to you Slowness Who do you admire the most and why Khenpo Tsewang Dongyal Rinpoche / selflessness Your worst habits Impatience The first thing you think of in the morning Time to meditate What have you always wanted to do and have not done Visit Bhutan Your best decision Moving to New York Your worst decision Moving to New York Your favorite street and why Bowery, many memories What made you become the person you are My Italian parents Something that you treasure A small CĂ©zanne drawing What would the child you once were think of the adult you have become That I look like my mother and sound like my father Your greatest fear I can't tell #ugorondinone #thejournalgallery #thetenniselbow
The right question is not âWho are you?â It is âWho are you not?â The mirror has not been with us for long. It was only five or six thousand years ago that some creative and industrious soul polished up a flat piece of bronze and voilĂ âyou, only golden. So itâs interesting, that the mask has been part of the human selfscape for at least 40,000 yearsâand, given that most would have been made out of degradable materials like leather, twine and feathers, probably 40,000 years longer. Perhaps they knew what we do notâyour face is a prison, a mask is a key. This basic truth lies at the rock bottom of Ugo Rondinoneâs new show of eight stone masks, weighing in between three and 14 kilograms. Elemental and prehistoric in design, they are all different, spaped vaguely like hexagons, ovals, hearts, shields or just a good old-fashioned rocky blob, but they are all visual cousins to the legendary chipped-stone hand axe, the first known human tool. Though mostly the size of a human face, Rondinoneâs masks are stonily symbolic, with naught but a pair of blank round eyeholes (albeit with teeny crowâs feet) to suggest a face, and wildly unwearable unless you are very strong and very drunk. - Excerpt from David Colmanâs text on Ugo Rondinoneâs exhibition, the mask and the masked, on view through September 21. #ugorondinone #thejournalgallery #thetenniselbow Ugo Rondinone the bright + the dim, 2022 Stone 11.5 x 8.25 inches
Louis Eisner at The Fireplace Project đž On view through September 12
Apocalypse Now Old School of Chora Patmos Greece Elizabeth Glaessner Late, 2023 Oil on linen 9 x 12 inches Jessie Homer French Forest Blaze, 2022 Oil on wood 32 x 12 inches Will GabaldĂłn Landscape (5/3/23), 2023 Oil on linen 8 x 10 inches 12.75 x 14.75 inches (framed) Soumya Netrabile Night Fire, 2023 Oil on canvas 20 x 16 inches 22.75 x 18.75 inches (framed) Nicole Wittenberg The Well 2, 2023 Oil on canvas 24 x 28 inches Jo Messer Olive play, 2023 Oil on panel 14 x 11 inches Mickey Lee Broodmare, 2023 Oil on canvas 24 x 24 inches Louis Eisner Mr. Natural, 2023 Aluminum and wood 28 x 8 x 8 inches #elizabethglaessner #jessiehomerfrench #willgabaldĂłn #soumyanetrabile #nicolewittenberg #jomesser #mickeylee #louiseisner
The Book of Revelation đ§ż
Apocalypse Now The Old School of Chora Patmos Greece Tanya Merrill Ariadne (after WertmĂŒller), 2023 Oil and graphite on canvas 18 x 14 inches Claire Tabouret In the Woods (Brown), 2017 Acrylic and ink on paper 15 x 10 inches 26 x 21 inches (framed) Marianne Vitale Self Portrait (Pink Dress), 2023 Oil on canvas 20.25 x 16 inches Chloe Wise Green Giulia, 2023 Oil on linen 20 x 16 inches Caroline Absher Last Sunset on Planet Earth, 2023 Oil on canvas 14 x 11 inches #tanyamerrill #clairetabouret #mariannevitale #chloewise #carolineabsher #thejournalgallery #apocalypsenowexhibition
The island of Patmos is typified by mountainous stretches and ample plateaus, its picturesque coastline dotted with pebbled and sandy beaches. The place has hardly adjusted to the nuances of contemporaneity. Villages and historical architecture remain intact, only partially interrupted by modern developments. This northernmost Dodecanese island is instilled with a rich theological history. Its geography once served as the site of John the Apostleâs exile. It was in the Cave of the Apocalypse where John received his visions of the end and conceived the Book of Revelation. - Excerpt from text on Apocalypse Now by Reilly Davidson @reilly_davidson Apocalypse Now opens tonight at The Old School of Chora on Patmos from 8pm - 11pm and will be open daily thereafter from 8pm - midnight through August 10 #clairetabouret #chloewise #jessiehomerfrench #carolineabsher #nicolewittenberg #willgabaldĂłn #elizabethglaessner #mariannevitale #soumyanetrabile #louiseisner #jomesser #mickeylee #tanyamerrill #thejournalgallery #patmosgreece Thank you @lolitakk đđ€
Duncan Hannahâs Stingray in Hampstead, 2021 and Twig The Wonder Kid, 2013, both 18 x 18 inches, from Hannahâs recent exhibition at the gallery #duncanhannah #thejournalgallery #thetenniselbow
Duncan Hannah portraits, each 14 x 11 inches, included in his exhibition at the gallery, closing today #duncanhannah #thejournalgallery #thetenniselbow
Avg Comments