It's slowly starting to look like Maurice de Vlaminck's "Autumn Landscape" here in New York. What does fall look like where you live? — Maurice de Vlaminck. "Autumn Landscape." c. 1905. Gift of Nate B. and Frances Spingold. © 2023 Artists Rights Society (ARS), New York / ADAGP, Paris

For 30 years, the photographs of artist An-My Lê have engaged how we understand and reflect on conflict. Now open! See #BetweenTwoRivers, the first exhibition to present Lê’s powerful photographs alongside her forays into film, video, textiles, and sculpture, on view now at MoMA. — All images © 2022 An-My Lê, courtesy of the artist and Marian Goodman Gallery [1] An-My Lê. “Untitled, Ho Chi Minh City,” from the series Viêt Nam, 1995. [2] An-My Lê. “Ship Divers, USS New Hampshire, Arctic Seas” from the series Events Ashore, 2011. [3] An-My Lê. “Sailors on Liberty from USS Preble, Bamboo 2 Bar, Da Nang, Vietnam,” from the series Events Ashore, 2011.

Have you listened to the new Beatles single?  The album art for “Now and Then” was designed by artist Ed Ruscha, who currently has a major retrospective on view at MoMA titled “ED RUSCHA / NOW THEN.” In 1956, Ruscha left his hometown of Oklahoma City and drove along interstate highway 66 to study commercial art in Los Angeles, where he drew inspiration from the city’s architecture, colloquial speech, and popular culture. For more than six decades, Ruscha has recorded and transformed familiar subjects—whether roadside gasoline stations or the 20th Century Fox logo. — Ed Ruscha, cover art for The Beatles’s “Now and Then,” 2023. Courtesy the artist

What films are you rooting for during the 2023 Oscar season? See the MoMA Department of Film’s selections in this year’s edition of our annual #MoMAContenders series.  Each year, our team combs through major studio releases and the top film festivals in the world, selecting influential, innovative films made in the past 12 months that we believe will stand the test of time. Whether bound for awards glory or destined to become a cult classic, each of these films is a contender for lasting historical significance, and any true cinephile will want to catch them on the big screen. Explore our full November lineup, link in bio. Film at MoMA is made possible by @chanelofficial

Run, New Yorkers, run! Strap on your running shoes — it’s time to run 26.2 miles through the five boroughs (or cheer everyone on from the sidelines). Who do you know that’s running the New York City Marathon today? — Tod Papageorge. “L’eggs Mini Marathon.” 1979. Gift of Robert L. Smith. © 2023 Tod Papageorge

“Chocolate and art, they’re so intrinsically tied to one another, because there’s an art to just the production of a piece.” — Jessica Spaulding “P.O.TH.A.A.VFB (Portrait of the Artist as a Vogelfutterbüste [Birdseed Bust])” by Dieter Roth used chocolate and birdseed to cast a self-portrait depicting the artist as an old man. Unlike a traditional marble bust intended to endure through the ages, Roth wanted his bust to be mounted on a post in the open air, where birds could nibble on it until nothing remained. 🍫 What is it like to work with chocolate? Hear about the complex process from chocolatier and cofounder of @harlemchocolatefactory Jessica Spaulding on #MoMAMagazine — link in bio. — Dieter Roth. “P.O.TH.A.A.VFB (Portrait of the Artist as a Vogelfutterbüste [Birdseed Bust]).” 1968. Sue and Edgar Wachenheim III Endowment Fund and acquired through the generosity of Peter H. Friedland. © 2023 Estate of Dieter Roth

Pablo Picasso spent much of the summer of 1921 in a garage. Inside this unlikely studio in a rented villa in Fontainebleau, France, he worked to create a startling body of work. Among his most astonishing creations were two radically different, six-foot-high canvases that he painted side-by-side within weeks of each other: “Three Musicians” and “Three Women at the Spring.” Now open! #PicassoInFontainebleau reunites these monumental paintings, along with other key works, for the first time since they left #Picasso’s improvised studio. — [1] Photographer unknown. Olga and Pablo Picasso. Fontainebleau, 1921. Archives Olga Ruiz-Picasso. Fundación Almine y Bernard Ruiz-Picasso, Madrid © Archives Olga Ruiz-Picasso, Fundación Almine y Bernard Ruiz-Picasso, Madrid [2] Photographer unknown. “Three Musicians.” Fontainebleau, 1921. Archives Olga Ruiz-Picasso. Fundación Almine y Bernard Ruiz-Picasso, Madrid © Archives Olga Ruiz-Picasso, Fundación Almine y Bernard Ruiz-Picasso, Madrid and © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York [3] Photographer unknown. Back façade of the house at 33, boulevard Gambetta. Fontainebleau, September 1, 1921. Archives Olga Ruiz-Picasso. Fundación Almine y Bernard Ruiz-Picasso, Madrid © Archives Olga Ruiz-Picasso, Fundación Almine y Bernard Ruiz-Picasso, Madrid [4] Pablo Picasso. “Façade in the Garden of the Home in Fontainebleau.” Fontainebleau, July 6, 1921. Musée National Picasso–Paris. Dation Pablo Picasso © RMN–Grand Palais/Art Resource, NY © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York [5] Pablo Picasso. “Studies.” Paris, 1920–1922. Musée National Picasso–Paris. Dation Pablo Picasso. © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York [6] Pablo Picasso. “Three Women at the Spring.” Fontainebleau, summer 1921. The Museum of Modern Art, New York. Gift of Mr. and Mrs. Allan D. Emil. © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York [7] Pablo Picasso. “Three Musicians.” Fontainebleau, summer 1921. The Museum of Modern Art, New York. Mrs. Simon Guggenheim Fund. © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Travel in time to the streets of New York in the 1950s!  In 1955, Brooklyn-born filmmaker Ken Jacobs bought a 16mm camera and began documenting the immigrant streets and tenements of the Lower East Side and the Bowery that reminded him of his childhood in Depression-era Williamsburg. His first film, “Orchard Street,” was made that year and captures the bustling thoroughfare.  Jacobs has credited his discovery of his passion for movies to trips to MoMA in the late 1940s, recalling that “The Museum of Modern Art plunged me, when a teenager, into the unexpectedness of art.” MoMA has recently become home to the largest collection of his films and videos, which number more than 200 to date. See three moving-image works by Ken Jacobs, opening tomorrow at UNIQLO NYC Nights. New York City residents get in free! Link in bio to get tickets. — Ken Jacobs. “Orchard Street” (excerpt). 1955

Celebrate the opening of Alexandre Estrela’s first US exhibition!  Since the 1990s, Estrela has been fascinated by the material and conceptual properties of images, how they are created, and how they are experienced. Whatever the starting point—a scientific specimen, the history of lens-based technology, or a found object—the artist’s work often takes the form of multilayered media installations. In Estrela’s words, these are images “not just [to] be watched, but rather to be unfolded” via synesthetic experience, perceptive rabbit holes, or other self-reflexive sleights of hand. To mark the opening of “Flat Bells,” the shimmering sound and moving image environment he conceived for MoMA’s Kravis Studio, the artist will also present a marathon evening of 16mm films on Monday, November 6. → See Estrela’s exhibition, opening November 4 → Get tickets to the screenings, link in bio — Alexandre Estrela. “Viagem ao Meio.” 2010. Installation view in Lua Cão (May 25–July 15, 2017), Galeria Zé dos Bois, Lisbon. Courtesy the artist and Travesía Cuatro, Madrid. Photo: Lais Pereira

For more than two decades, The Otolith Group has created poetic moving image works and cinematic collages. In the film “In the Year of the Quiet Sun,” Anjalika Sagar and Kodwo Eshun explore the output of the Ghana Philatelic Agency, a New York-based company that designed stamps for Ghana from 1957 to 1966. Stamps issued by a number of African states in 1964 and 1965 also celebrated the first scientific study of the sun’s surface, coinciding with an astrological phenomenon that occurs every 11 years, during which the surface of the sun cools enough to allow observatories to study solar activity. 📺 Stream “In the Year of the Quiet Sun” through November 16 in the latest installment of our @HyundaiCard Video Views series featuring video works from the collection. 📖 Read an interview with the artists on #MoMAMagazine. — The Otolith Group. “In the Year of the Quiet Sun” (still). 2013. Fund for the Twenty-First Century. © 2023 The Otolith Group

Barbara Brandon-Croft was the first Black woman to have her work published nationally in not just one mainstream newspaper, but over 65 across the world.  Thirty-four years ago, her comic strip, “Where I’m Coming From,” was first published in the Detroit Free Press. The stories follow a cast of nine Black women as they discuss anything from relationships to race. In our latest Drawn to MoMA, the renowned cartoonist reflects on her path to making comics and importance of having people who advocate for us. ✏️ Read @barbarabrandoncroft’s piece on #MoMAMagazine, link in bio. @uniqlousa is MoMA's proud partner of #ArtforAll. — Barbara Brandon-Croft. "One Cartoonist's Journey." 2023. Courtesy the artist

What sounds can you hear when you look at this painting?  In this painting, artist Ed Ruscha visualizes sound through multiple channels—the word “noise,” the implied snap of a broken pencil, and the dramatic shootout depicted on an action-packed Popular Western magazine cover.  ✏️ See “Noise, Pencil, Broken Pencil, Cheap Western” in “ED RUSCHA / NOW THEN,” on view now at MoMA. 🎧 Explore this work at the Museum or at home. Download the free @bloombergconnects app to your mobile device and select MoMA’s guide to hear about the themes and materials that have shaped Ed Ruscha’s art. — Ed Ruscha. “Noise, Pencil, Broken Pencil, Cheap Western.” 1963. Virginia Museum of Fine Arts, Richmond. Gift of Sydney and Frances Lewis