reclaim the bookshelf. a podcast that ran 2016-2021 #ReadingWomenChallenge Part of @LitHubRadio
79.7% of @thereadingwomen's followers are female and 20.3% are male. Average engagement rate on the posts is around 0.23%. The average number of likes per post is 497 and the average number of comments is 9.
@thereadingwomen loves posting aboutEducation, Books, Writers.
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Recent Posts
ICYMI Kendra (@kdwinchester) interviewed @kylelucia Wu about her novel WIN ME SOMETHING. In their conversation, Wu discusses how her main character faces microagressions in her everyday life and how that experiences informs the direction of the novel: Kyle: "I wanted to focus on this experience of growing up around microaggressions rather than things that were more explicitly racist because I feel that the confusion of growing up in—or just existing, actually, I shouldn’t just say growing up—I feel that the confusion of existing around this kind of microaggressions is very confusing, especially if you don’t have real context or real information. . . . "And because the book was so much about gray spaces and being in the margins, I felt that it made sense to focus on microaggressions, which are also kind of like in these gray spaces. They’re sometimes committed by people who are really well intentioned. And then that can be a defensive of things like that sometimes. People say, “oh, they didn’t mean it that way.” Or, “that wasn’t intentional.” And, well, is that a defense? And what does it mean? And how does that actually protect the people who are experiencing them? I feel that it just further muddles this field of how Willa knows how to interact with the world, how to engage with people. "How does she know who’s on her side or not on her side when she can’t quite tell what the impact or the intention or if anyone else hears what she’s hearing—because I think one of the things about microaggressions is that they can go really unnoticed by a lot of people. Not you, not whoever is experiencing it, but sometimes you’re the only one who feels that impact, and no one else seems to feel it. It’s very difficult because you’re like, am I the one? Is this in my head? Did that really happen? Is my reaction right? And then it leads to this whole other sense of spiralling. So I was trying to capture just that confusion and the experience of living amongst things like that." Have a listen to the interview wherever you get your podcasts! [Image Description: A photo of the books WIN ME SOMETHING by Kyle Lucia Wu sitting on a stone shelf.]
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In one of our last interviews, Kendra (@kdwinchester) interviewed Myriam J.A. Chancy about her novel WHAT STORM WHAT THUNDER. In the interview, Myriam discusses why she writes fiction: Myriam: "I enjoy writing novels because I think it allows you to really center the human experience in history. Right? I mean, we have our historians. We have excellent historians who can do that kind of work. Or we have people who are in some way, not quite journalists, but who are able to do the conversations on the ground and and frame those for a wider readership. "But I think that fiction does something that those works cannot do, which is to allow the reader to enter a world, you know, on its own ground and to really feel what it might be like to have been in that particular historical moment or historical historical experience. So I think, like Ward, my intent was to make you travel with the characters as opposed to feeling like you were outside of it and reading a report about the events—you know, that you would really want to see the outcome for the characters and want to be led by them, whatever those outcomes might be. I think that’s what fiction can do that no other genre can do quite as well. "I mean, certainly, I think memoir can do a great deal of that. But memoir is very particular to usually, you know, one individual’s experience or in the case of the Danticat memoir that I mentioned earlier, you know, it only can cover a few lives. I think with fiction, you can do. . . . It’s much more pliable, right? Because even though memoir utilizes some aspects of fiction to tell the story of a period or of a person, fiction really allows you to go into so many places that . . . that, you know, that you can’t really render with as much flexibility when you’re doing memoir or journalism." You can listen to the entire interview wherever you get your podcasts! [Image Description: A photo of the book WHAT STORM, WHAT THUNDER Myriam J.A. Chancy. The book is sitting a stone shelf.]
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ICYMI Joce (@squibblesreads) interviewed Jung Yun about her latest novel O BEAUTIFUL. Joce: "I feel like everything that you said there really plays into this long-running theme in O Beautiful of newcomers versus old timers, or insiders versus outsiders in the stories that they tell in the book. And I’m curious, what ways did you want to explore those themes in O Beautiful?" Jung Yun: "One of the reasons why I think Elinor was the character that I eventually landed on to be the main character in this sort of lens through which the story is taking place is that she grew up in the state to a white father and a Korean American mother. And by virtue of her family background, always felt like she had one foot in and one foot out of different communities—and complicated by the fact that her father was an Air Force officer in a very tightly knit military community. So she has had those experiences of being sort of the “outsider” in her home state in a community that . . . that should have been more accepting of her and her family. And this is one of the reasons why she wanted to leave the state and move to the East Coast as soon as she was able to. The irony is that she gets this plum assignment to write about the oil boom because she’s considered an “insider” by virtue of being from the state and being from this region. "So throughout the novel she is . . . is sort of dealing with those tensions of her history and experiencing them kind of anew as she meets people who are either of the community or from outside of the community coming in. And, you know, all of them making various assumptions about who she is and what she’s doing there and and whether or not she “belongs.” So these were issues that I was thinking about very, very early on when the novel wasn’t even fully formed in my head as a novel yet. So, yeah, these ideas have been circling around for quite some time." Have a listen wherever you get your podcasts! [Image Description: A photo of the book O Beautiful by Jung Yun. The cover features a painting of a landscape with oil rigs in the distance.]
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