Marina Abramović: Energy Clothes” Curated by @sydneyafishman Photos by @marco_anelli_studio 26 May – 29 July, 2023 @galeriekrinzinger Seilerstätte 16 – Wien “Marina Abramović: Energy Clothes” will be the first time the body of work “Energy Clothes” is fully realized since it’s conception in 2001. The exhibition showcases a new large format photo series, alongside drawings, photographs, videos and objects presented to illuminate Marina's long standing investigation of energy and the ways in which it is transmitted in ordinary everyday life.

Don’t miss Marina Abramović's upcoming exhibition at Galerie Krinzinger: “MARINA ABRAMOVIĆ: Energy Clothes” ❤️‍🔥 Curated by @sydneyafishman OPENING: 25 MAY 2023, 7PM with remarks by writer and curator Adrian Heathfield 26 MAY – 29 JULY 2023 Seilerstätte 16 – Wien Marina Abramović: Energy Clothes’ at Vienna’s Galerie Krinzinger will be the first time Abramović‘s body of work Energy Clothes is fully realized since it’s conception in 2001. Abramović will showcase a new large format photo series, alongside drawings, photographs, videos and objects presented to illuminate Marina's long standing investigation of energy and the ways in which it is transmitted in ordinary everyday life. Photo by @marco_anelli_studio #AbramovicInstitute #MarinaAbramovic #GalerieKrinzinger #ENERGYCLOTHES

Fragmento de mi performance “La savia” activada en @theatercarre con el @abramovicinstitute. Muy pronto estará disponible la pieza completa donde mi cuerpo intoxicado e inconsciente es manipulado por los espectadores y visitantes del teatro. La savia es una obra de performance radical y de resistencia creada desde un detonante especifico y nuevamente activada como performance de larga duración. A modo de cierre de las obras de Azcona en torno a la figura materna, el artista consume fármacos y heroína exponiendo el cuerpo al público que puede compartir la degradación del cuerpo hasta la extenuación. 📸 @lekuona_

We’re so excited to announce that this September, Laurence King will publish the definitive illustrated biography of the world-renowned performance artist, Marina Abramović. This landmark publication coincides with the opening of Marina’s Royal Academy exhibition, the first major show by a female artist in the Academy's 250-year history. The most important art book of the decade, Marina Abramović: A Visual Biography combines brand-new interviews, never-before-seen images and fascinating ephemera from Marina’s extensive personal archive, creating a unique visual landscape of her personal and artistic life, a publishing first. Marina Abramović said ‘‘At this point in my life, it is very important for me to do things that are adventurous, different, and exciting. Making this Visual Biography with Katya Tylevich became one of these things … It opened so many new ways of interpretation for myself and I hope it will for the reader as well. This type of approach usually only happens once the artist is dead, not in their lifetime when they are still in control.’ Link in bio for more information.

„Picasso hatte enorm große Eier. Aber wir Künstlerinnen haben sie auch!“ Ein feministischer Seitenhieb der serbischen Performance-Künstlerin @abramovicinstitute. Was verbindet ihr mit dem berühmten spanischen Maler? Anlässlich des 50. Todestags von Pablo Picasso haben wir 14 internationale Künstler:innen gefragt, was Picasso heute für sie bedeutet. Die Antworten findet ihr hier ➡️ „Über Picasso“ jetzt auf arte.tv! (Link in der Bio) ➡️ Und den Link zu unserem Thementag “Es war einmal... Picasso” haben wir auch in die Bio gepackt! #MarinaAbramovic #PabloPicasso #feminismus #kunstgeschichte #artetv

Today marks one year of the Ukraine war. There's nothing to celebrate. This horror is not ending soon. If the Wall of Crying survives, this will be a monument for two of the horrible memories in human history. Photos: “Crystal Wall of Crying” in October 2021 “Crystal Wall of Crying” today, February 2023

We are in 21st century, it is unthinkable and a shame that there is no freedom of expression for the women and people in Iran. We all as humanity have to help this change. -Marina Abramović solidarityiran.wordpress.com Ph: Ghazal Vojdani, 2022, Woman, Life, Freedom @studio.ghazaalvojdani #mahsaamini #مهسا_امینی #womenlifefreedom

Happy birthday Marina! 🌹🌺💐 Ph: @jeff_bark for @buffalozine

THE REVISE #longdurationperformace No Intermission Oct 24 - 30, 2022 Theater Carre Amsterdam — NL A performance project presented by @theatercarre and @abramovicinsitute Commissioned Artists Carla Adra (@carlaaaaadra) Abel Azcona (@abelazcona) Dante Buu (@dante_buu) Yingmei Duan (@duan.yingmei) Mauricio Ianês (@mauricioianes) Miles Greenberg (@miles.greenberg) Maria Stamenković Herranz (@mariasherranz) Anthony Huseyin (@anthonyhuseyin) Yiannis Pappas (@pappas.yiannis) Ana Prvački (@ana_prvacki) Photos by: @dustinjlynn

Estoy en recuperación de todas las obras que me abrumaron la pasada semana en el @theatercarre de Amsterdam. Cerré un ciclo importante en una despedida dolorosa de mi madre. En mi exposición de video podía verse todas las obras de conexión con ella y la despedida y cierre de las mismas y en el centro del teatro mi cuerpo doliente pero de alguna manera resiliente. Ahora llegan esta y otras obras nuevas de construcción, de búsqueda de nuevas madres y de caminar hacia adelante. La primera madre, una artista con la que ha sido muy fácil trabajar en Amsterdam, en Volver al Padre y en el futuro. Marina Abramović siempre ha tenido una postura clara hacia la maternidad y de manera simbólica la crítica se ha referido a ella como la madre de la performance. Yo soy el hijo de la puta, del putero, de la abusada, de la heroína, de la performance y del arte como arma pero también como supervivencia. Madre e hijo, resiliencia y lucha. Empieza una nueva etapa de escritura con tres nuevos libros biográficos, nueva obra y una nueva forma de mirar. En colaboración con @abramovicinstitute y @lekuona_.

I feel very grateful to have experienced NO INTERMISSION let alone be invited to document it through photographs and film footage. One can only hope that this content grasp a piece of being there in person. It was undoubtably one of the most unique and enriching exhibition experiences I’ve had in my life. Physical, political, sensual, anarchic, comical and heart wrenching beauty all bleeding together into one organism. Please follow the individual artists links below to dive deeper into their works… more to come x No Intermission Oct 24 - 30, 2022 Theater Carre Amsterdam - NL A performance project presented by @theatercarre and @abramovicinsitute Commissioned Artists Carla Adra (@carlaaaaadra) Abel Azcona (@abelazcona) Dante Bu (@dante_buu) Yingmei Duan (@duan.yingmei) Mauricio lanês (@mauricioianes) Miles Greenberg (@miles.greenberg) Maria Stamenkovié Herranz (@mariasherranz) Anthony Huseyin (@anthonyhuseyin) Yiannis Pappas (@pappas.yiannis) Ana Prvacki (@ana_prvacki) Performance Facilitators Adriane Bastiaens, Agatha Kosobucki, Alessandra Tom, Alice Fara, Alma Wattimena, Come Ledesert, Elizabeth Boksha, Famil Zamanli, Fiona van den Bergh, Geraldine Guerrero, Indigo Perry, Irene Ruigrok van der Werve, Isa Zwart, Larissa Baglieri, Martin Toloku, Michat Dawid, Michel de Vries, Michelle Louise Samba, Moe Satt, Pieke Pleijers, Ralph Blom, Stephanie Schuitemaker, Suhaila Abu Hadba Mounayer, Suzan Daeleman van Dijk, Tobias Mud, Wannes Aelbrecht, Yitu Wang Curated by Marina Abramovic Institute Paula Garcia (Lead Curator), Marina Abramovic, Thanos Argyropoulos, Serge Le Borgne, Billy Zhao

THE REVISE Experimenting with a new way of protestation, Yiannis Pappas repeats the international human rights providing typewriting machines to the audience at the Queen’s booth in Carré theatre in Amsterdam. The audience collectively or individually is free to revise the spoken rights given by the performer, comment or write questions about justice, impunity, environmental degradation and peace in the world. If human rights are universal how could we utilize them in practice? 10 artists have been commissioned to create long duration participatory performance works that have occupied all the spaces at the oldest theatre in Amsterdam. No Intermission 7 day #performance project is a co-creation by @abramovicinstitute and @theatercarre. Commissioned Artists Carla Adra (@carlaaaaadra) Abel Azcona (@abelazcona) Dante Buu (@dante_buu) Yingmei Duan (@duan.yingmei) Mauricio Ianês (@mauricioianes) Miles Greenberg (@miles.greenberg) Maria Stamenković Herranz (@mariasherranz) Anthony Huseyin (@anthonyhuseyin) Yiannis Pappas (@pappas.yiannis) Ana Prvački (@ana_prvacki) #performanceart #nointermission #typewriter #right #collective #writting #critical #thinking #yiannispappas