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David Zwirner

David Zwirner

@davidzwirnerInstagram
Arts and CraftsVisualizationsPainting

41.9% of @davidzwirner's followers are female and 58.1% are male. Average engagement rate on the posts is around 0.15%. The average number of likes per post is 1,139 and the average number of comments is 17.

New York | London | Paris | Hong Kong | Los Angeles ⠀ @davidzwirnerbooks • @platformart_com • @52walkerstreet

778,440
Followers
0.15%
Engagement Rate
1,155
Engagement per post
1,139
Average likes per post
17
Average comments per post

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Audience Gender

41.9% female
58.1% male

Audience Interests

Art & Design
Beauty & Fashion
Photography
Books and Literature
Restaurants, Food & Grocery
Home & Garden
Travel & Tourism
Business & Careers

Growth trends, audience age, brand affinity and more

Follower and engagement growth, dominating age group, notable followers, mentions and audience brand affinity for @davidzwirner are available to StarNgage members.

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Recent Posts

🏠 Alice Neel: Feels Like Home is now on view at the Orange County Museum of Art
🏠 Alice Neel: Feels Like Home is now on view at the Orange County Museum of Art (@OCMAMuseum). This survey of over 40 paintings, many pulled from the estate’s collection, examines the role of kinship, chosen family, and community in the work of Alice Neel. Feels Like Home is curated by Courtenay Finn and is on view through October 22 (🔗 in bio). —⁣⁣⁣ Alice Neel, The Fugs, 1966. Oil on canvas, 50 x 30 inches (127 x 76.2 cm) #AliceNeel #OrangeCountyMuseumOfArt #AliceNeel
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✏️ The third and final leg of Bridget Riley Drawings: From the Artist’s Studio i
✏️ The third and final leg of Bridget Riley Drawings: From the Artist’s Studio is now open at @TheMorganLibrary in NYC and will remain on view through October 8! Bridget Riley Drawings: From the Artist’s Studio is the first exhibition in over 50 years dedicated exclusively to the drawings of Bridget Riley, one of the most celebrated abstract painters of her generation. Providing an intimate view of her studio practice—in which the making of works on paper plays a central role—the exhibition includes more than 75 studies from the artist's collection, created between the 1940s and the 2000s. Together these works demonstrate Riley's commitment to paper, pencil, ink, and gouache as tools of exploration and innovation. This exhibition is co-organized by the @ArtInstituteChi, the @Hammer_Museum, and The Morgan Library & Museum. —⁣⁣⁣ Bridget Riley, Study for Shuttle, 1964. Gouache on graph paper. 9 ⅝ x 9 ½ in. (24.5 x 24.1 cm). Collection of the artist. © Bridget Riley #BridgetRiley #MorganLibrary #WorksonPaper
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👤 It’s #InternationalPortraitDay. Looking for some ways to celebrate? Read on:
👤 It’s #InternationalPortraitDay. Looking for some ways to celebrate? Read on: • Visit the newly reopened @NationalPortraitGallery, where Elizabeth Peyton’s Fredrick Douglass 1850 (2020) and Sir Joshua Reynolds’s Portrait of Mai (Omai) (1776)—the portrait that captivated the artist’s attention last year—are on view, along with other works by gallery artists including Michael Armitage and Marlene Dumas. • Stop by #DavidZwirnerLondon to see Peyton’s rendition of Mai, included in Elizabeth Peyton: Angel, on view through July 28. • Get a signed, time-limited edition print by Elizabeth Peyton of her portraits depicting Fredrick Douglass and Mai, available on @avant.arte through June 26 with proceeds supporting the reopening of the #NationalPortraitGallery. —⁣⁣⁣ 1: Elizabeth Peyton, Frederick Douglass, 1850, 2020. © Elizabeth Peyton 2: Installation view, National Portrait Gallery, 2023. Photo by David Parry 3: Elizabeth Peyton, Mai (Afterlife) after Sir Joshua Reynolds' Portrait of Mai (Omai), 1776, 2023, Silkscreen print; Frederick Douglass, 1850, 2023, Silkscreen print, © Elizabeth Peyton #ElizabethPeyton #NationalPortraitGallery
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In honor of Gordon Matta-Clark’s birthday, we’re revisiting the recent exhibitio
In honor of Gordon Matta-Clark’s birthday, we’re revisiting the recent exhibition at @52WalkerStreet, Gordon Matta-Clark & Pope.L: Impossible Failures, which focused on the artists’ shared interest in the problematics of architecture, language, institutions, scale, and value. As @HelenaHaimes wrote for @BrooklynRail on the presentation: “The physicality, sense of danger and artistic brazenness of Matta-Clark’s Conical Intersect (1975)—a film recording the artist and workers cutting a conical hole through two seventeenth-century buildings on Paris’s Rue Beaubourg—and Bingo X Ninths (1974)—where we watch Matta-Clark dividing a drawing of a soon-to-be-demolished building into nine sections before physically partitioning the structure itself—feel as subversive and relevant now as they must have in the 1970s.” Tap the link in bio to explore related readings and watch a video sketch of the exhibition. — Installation views, Gordon Matta-Clark and Pope.L: Impossible Failures, 52 Walker, New York, 2023 #GordonMattaClark #52Walker
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The EVOLUTION TOTE by Katherine Bernhardt (@kbernhardt2014) is now available on
The EVOLUTION TOTE by Katherine Bernhardt (@kbernhardt2014) is now available on @platformart_com. Only 50 totes left, tap the link in bio to get yours before they’re gone. Oversized and reversible, the EVOLUTION TOTE is printed inside and out with 4 new Pokémon-inspired paintings from Bernhardt's current solo exhibition at #DavidZwirnerHongKong, on view through August 5. Only 125 were produced. Update: All editions of the EVOLUTION TOTE are sold out. __ Images courtesy of @kbernhardt2014 #KatherineBernhardt #DavidZwirner #LimitedEdition
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Standing over 8 feet tall in the Royal Academy of Arts’s Annenberg Courtyard is
Standing over 8 feet tall in the Royal Academy of Arts’s Annenberg Courtyard is Huma Bhabha's Ghost of Humankindness (2011). This sculpture is part of RA’s annual Summer Exhibition, which brings together more than 1,600 works of art from international artists—including the Academy’s members, Huma Bhabha, Rose Wylie, and many emerging artists. The exhibition explores the theme “Only Connect,” taken from the famous line in E. M. Forster’s Howards End: “Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height.” Tap the link in bio to plan your visit to this year’s iteration of the Summer Exhibition, coordinated by British painter David Remfry, through August 20. — Installation view, Huma Bhabha’s Ghost of Humankindness (2011), on view in Summer Exhibition, @RoyalAcademyArts, London, 2023. Photo 1: @dward16770 #HumaBhabha #RoyalAcademyofArts #SummerExhibition
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“My dream is to moonbathe in the backyard this summer. You feel held by the lush
“My dream is to moonbathe in the backyard this summer. You feel held by the lush plant life, and since it’s on a hill, you feel close to the sky.” —Hayley Barker (@barker_hayley) Hayley Barker’s first etching—New Yard, Elysian Heights—depicts the backyard of her new home in the Elysian Heights neighborhood of Echo Park, Los Angeles, and was created during a 3-week residency at @WingateStudio. Tap the link in bio/stories for exclusive access to the new print published by Utopia Editions, launching at 10 AM EDT on Wednesday, June 28.   — 📸: @_TonyLuong #HayleyBarker #DavidZwirner #UtopiaEditions #ShrineNYC @shrine.nyc
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🟡 Tank Top Tondo (2023) | ✋ for scale |📍Lisa Yuskavage: Rendez-vous, David Zwi
🟡 Tank Top Tondo (2023) | ✋ for scale |📍Lisa Yuskavage: Rendez-vous, David Zwirner Paris One of the most original and influential artists of the past 30 years, @LisaYuskavageStudio creates works that affirm the singularity of the medium of painting while challenging conventional understandings of genres and viewership. For this exhibition, Yuskavage presents new large-scale paintings, each set within an imagined artist’s studio. Plan your visit to see the artist’s first exhibition at our Paris location and eighth solo show with the gallery at the link in bio. —⁣⁣⁣ 1/2/4/6: Installation view, Lisa Yuskavage: Rendez-vous, David Zwirner, Paris, 2023 3/5/7: #LisaYuskavage, Golden Studio, 2023 (detail). Oil and charcoal on linen, 86 x 120 inches (218.4 x 304.8 cm); Big Flesh Studio, 2022 (detail). Oil on linen, 86 x 120 inches (218.4 x 304.8 cm); Life Model on Fur, 2021 (detail). Oil on wood panel, 8 x 10 inches (20.3 x 25.4 cm) #DavidZwirnerParis #DavidZwirner
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As a teenager, #BobThompson gave a speech titled “Building Through Citizenship,”
As a teenager, #BobThompson gave a speech titled “Building Through Citizenship,” which he concluded by saying, “A citizen is one who enjoys his or her freedom and privileges, as free man or burgess. So let us all be citizens in our own state of life.” Closing Saturday, July 8 → Bob Thompson: So let us all be citizens at @52WalkerStreet. 52 Walker’s seventh exhibition, which features a range of paintings by Bob Thompson, takes its title from this very speech the artist gave at his church. Though his career spanned only a brief 8-year period before his untimely death at the age of 28, Thompson left behind a singular and influential body of figurative work that remains vitally resonant. Tap the link in bio to plan your visit before it closes. —⁣⁣⁣ #52Walker #BobThompson @ebotron
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Now live on @avant.arte → Two silkscreen editioned prints by Elizabeth Peyton in
Now live on @avant.arte → Two silkscreen editioned prints by Elizabeth Peyton in support of the @NationalPortraitGallery. The two editions—Frederick Douglass, 1850 (2023) and Mai (Afterlife) after Sir Joshua Reynolds' Portrait of Mai (Omai), 1776 (2023)—are time-limited and available to all for 1 week, today through to 9 AM EDT on June 26. All proceeds will be donated to support the vital work of the National Portrait Gallery, reopening on June 22. Tap the link in bio to learn more. —⁣⁣⁣ 1/2: Elizabeth Peyton, Frederick Douglass, 1850, 2023. 29-layer silkscreen print on 410gsm Somerset tub-sized radiant white paper, 18 3/4 x 14 3/4 inches (47.5 x 37.5 cm); Elizabeth Peyton, Mai (Afterlife) after Sir Joshua Reynolds' Portrait of Mai (Omai), 1776, 2023. 15-layer silkscreen print with hand-painted black paper edge on 410gsm Somerset tub-sized radiant white paper, 19 7/8 x 14 7/8 inches (50.5 x 37.7 cm). Photos courtesy of the National Portrait Gallery, Avant Arte, and @make__ready 3: Video courtesy @avant.arte with @nicholascullinan, Director of the National Portrait Gallery. @meicost_ettal #ElizabethPeyton #CollectArt #NationalPortraitGallery #Silkscreen
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☀️ School’s out for summer! Our New York galleries will begin operating on a sum
☀️ School’s out for summer! Our New York galleries will begin operating on a summer schedule beginning Tuesday, June 20. • Yayoi Kusama: I Spend Each Day Embracing Flowers | Open Tuesday through Friday, 10 AM–6 PM, through July 21 | 519, 525, & 533 West 19th Street • Luc Tuymans: The Barn | Open Monday through Friday, 10 AM–6 PM, through July 21 | 537 West 20th Street • Sherrie Levine: Wood | Open Monday through Friday, 10 AM–6 PM, through July 21 | 34 East 69th Street + Please note: All of our US galleries will be closed July 1–4. — Installation views, Yayoi Kusama: I Spend Each Day Embracing Flowers, David Zwirner, New York, 2023. RG: @elizabethambergomez #YayoiKusama #ISpendEachDayEmbracingFlowers #DavidZwirner
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“Seeing my son make art.… It’s just exciting to see him discover his creativity.
“Seeing my son make art.… It’s just exciting to see him discover his creativity.” —@MarcelDzama in our 12-minute short film ART+FATHERHOOD #HappyFathersDay! Tap the link in our bio to watch the full film and explore Marcel Dzama’s world of drawing, dance, fatherhood, and more. —⁣⁣ #MarcelDzama #Fatherhood
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FAQ: Instagram Statistics and Insights for @davidzwirner

How many Instagram followers does @davidzwirner have?

@davidzwirner has 778,440 followers on Instagram.

What is @davidzwirner's Instagram engagement rate?

The average engagement rate on @davidzwirner's recent posts is about 0.15%.

How many likes does @davidzwirner get per post?

@davidzwirner gets around 1,139 likes and 17 comments per post on average.

What does @davidzwirner post about?

@davidzwirner mostly posts about Arts and Crafts, Visualizations, Painting.

* Copyright: Content creators are the default copyright owners. Images, texts, videos, posts and profiles shown here are published on public domains and the respective social media for public viewing.

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