Join us tonight from 6-8pm for openings in New York 💫 At 504 West 24th Street, Distribuidx, a group exhibition conceived as a conversation between the late Hélio Oiticica and a group of intergenerational artists with varying relationships to Latin America. The presentation is curated by César García-Alvarez, the Executive & Artistic Director of The Mistake Room in Los Angeles. At 508 West 24th Street, we celebrate the 50th anniversary of Hélio Oiticica’s pioneering Cosmococas - Programa in Progress (1973) with a presentation of two works from the seminal series. Developed in collaboration with Brazilian filmmaker Neville D’Almeida, the enveloping installations were an essential facet of what Oiticica termed “quasi-cinemas”. The exhibitions are on view until 11 August. @tmrcesar @marcelpardoa @felipebaeza @elrafaesparza @ektorgracias @priupit @mareyuh_ @jokeanelopez @maeamaria @_e_ramirez_ @analiasabanstudio @sylk_z @projeto_heliooiticica #HelioOiticica #LissonGallery #LissonNewYork

This Friday, Laure Prouvost (@studioprouvostsocialclub) opens her largest North America solo exhibition to date at the @remaimodern in Saskatoon. ‘Oma-je’ celebrates Prouvost’s relationship to artistic predecessors including John Latham, Louise Bourgeois, Agnes Varda, and Niki de Saint Phalle, amongst others, highlighting iconic film works as well as a newly commissioned installation. Explore at the link in our bio. #LaureProuvost #RemaiModern Image: Laure Prouvost, This Means, 2019, glass, nailbrush, steel, pump, water, 203 x 180 x 180 cm. Collection of Remai Modern. Purchased with the support of the Frank and Ellen Remai Foundation, 2023. Photo courtesy the artist. Photo: Trevor Good.

Through a research-based approach, Jennifer Allora and Guillermo Calzadilla's works trace intersections of history, material culture, ecology, and politics, using a multiplicity of artistic media that include performance, sculpture, sound, video, and photography. Titled ‘Entelechy’, a major exhibition at the Serralves Museum @fundacao_serralves in Porto is the first mid-career survey of the artistic duo and a unique opportunity to experience some of their most celebrated works. Revealing new connections in an open-ended chronology, the ambitious presentation occupies the entire left wing and the Serralves Museum Hall. Explore at the link in our bio. Image ©️ Hester + Hardaway, 2020. Photography by Paul Hester #AlloraandCalzadilla #Serralves

From 12 July at Lisson Gallery London, the Brooklyn-based speaker sculptor and sound guru, Devon Turnbull ­­– aka OJAS (@devonojas) – introduces ‘HiFi Listening Room Dream No. 1’, a free, drop-in experience for all to surrender to the act of listening, with rare intention, to recorded and live music. Featuring a high-performance, handmade sound system composed of a wall of brutalist speakers, a turntable, a series of amplifiers and seats typically reserved for meditation, this site-specific acoustic setting creates a transformative environment to absorb and reflect. Described by Turnbull as a “shrine to music”, each week a varied, curated programme of recorded tracks is presented, from unreleased music to all-time favorites across a range of mediums including vinyl, analogue tape and more. Find out more at the link in our bio. #DevonTurnbull #ListeningRoom #LissonGallery #LissonLondon

Nathalie Djurberg & Hans Berg's sprawling exhibition, Only for the Wicked, is now on view at @boras_konstmuseum. Taking place underground, the show leads us through an environment with winding mine passages and rock rooms via large-scale installations, sculptures, video works and powerful soundscapes. Thematically, the works in the exhibition highlight the different ways in which greed and the search for wealth, success and power can deeply change an individual. The visitor is transported to a hidden treasure trove and ongoing winding treasure hunt, where the works of art regularly emerge from the gloom like precious jewels. Find out more about the show at the link in our bio. Shown here: Nathalie Djurberg & Hans Berg, Only For the Wicked (Wreck), 2023 (film still), © Nathalie Djurberg & Hans Berg; Courtesy of Lisson Gallery; Gió Marconi; Tanya Bonakdar @hans_berg #NathalieDjurberg #BorasKonstmuseum

@themoodyarts has announced an upcoming solo exhibition by Laure Prouvost (@studioprouvostsocialclub), opening 15 September. For her first solo exhibition in Texas, Prouvost will transform the Moody into an immersive environment situated between reality and the imagination. 'Above Front Tears Nest in South' invites visitors on an intriguing journey, engaging both the body and the mind through large-scale, multimedia installations, found objects, sculptures, tapestries, architectural assemblages, and videos. Find out more at the link in our bio. Image ©️ Laure Prouvost, courtesy Nasjonalmuseet, Oslo. Photography by Annar Bjørgli #LaureProuvost #TheMoodyCenter

Join us in Los Angeles tomorrow, the 23rd of June, at 6pm for a special public walkthrough with Anne Ellegood, Executive Director of @theicala, and Pedro Reyes of his latest exhibition. His first solo show in LA, it includes a new series of sculptures and works on paper that focus on the concept of monumentality. Ellegood organised Reyes's last presentation in Los Angeles, a 2015 exhibition at the Hammer Museum, The People’s United Nations (pUN), part of Hammer Projects. @_pedro_reyes_#PedroReyes #LissonGallery #LissonLA

Next week in New York, Lisson Gallery is pleased to open ‘Distribuidx’, a group exhibition conceived as a conversation between the late Hélio Oiticica and a group of intergenerational artists with varying relationships to Latin America, curated by César García-Alvarez (@tmrcesar), Executive & Artistic Director of The Mistake Room, LA. At a moment when the geographic, conceptual, and linguistic bounds around Latinx Art are tensely debated, Oiticica’s inventive drive becomes a powerful tool to imagine an alternate framework of engagement that unsettles the defining impulse of art history. Collectively, the artists in this show grapple with a restlessness that gifts us glimpses into what it means to remake ourselves consistently while existing at the crossroads of many pasts, places, and experiences. Featuring artists: Marcel Pardo Ariza (@marcelpardoa) Felipe Baeza (@felipebaeza) rafa esparza (@elrafaesparza) ektor garcia (@ektorgracias) Frieda Toranzo Jaeger (@priupit) María de Los Angeles Rodríguez Jiménez (@mareyuh_) Joanna Keane Lopez (@jokeanelopez) Maria Maea (@maeamaria) Hélio Oiticica Edgar Ramirez (@_e_ramirez_) Carlos Reyes Analia Saban (@analiasabanstudio) Vivian Suter Sarah Zapata (@sylk_z) Opening Thursday 29 June. Find out more at the link in our bio. Shown here: Frieda Toranzo Jaeger, Hope The Air Conditioning Is On While Facing Global Warming (part 1), 2017, Oil on canvas, Overall: 223.5 x 447 cm, Overall: 88 x 176 in #LissonGallery #LissonNewYork

At this year’s Manchester International Festival, Ryan Gander’s (@ryanjgander) ‘The Find’ takes us on a quest across the city in search of his latest works. Hundreds of thousands of coins will be hiding in plain sight across Manchester city centre throughout MIF23 (29 June – 16 July), though using a different kind of currency. There are three designs to collect, each embellished with nuggets of wisdom to guide you and even help you make big, small or medium-sized decisions. With ‘The Find’, Ryan Gander injects mystery into our everyday encounters, encouraging us to see the world around us differently. @factory_international #RyanGander #ManchesterInternationalFestival #MIF23

Lisson Gallery celebrates the 50th anniversary of #HélioOiticica’s pioneering Cosmococas - Programa in Progress (1973) with a New York presentation of two works from the seminal series. Developed in collaboration with Brazilian filmmaker Neville D’Almeida, these enveloping installations were an essential facet of what Oiticica termed “quasi-cinemas”. To commemorate the anniversary, the series will be installed throughout the year in cities across the world, including at the De La Warr Pavilion, UK; The Mistake Room, Los Angeles; and Hunter College Art Galleries, New York. Join us for the opening night on 29 June, and find out more at the link in our bio.

Join us this Friday for the opening of Pedro Reyes’ (@_pedro_reyes_) first solo exhibition in LA, which presents a new series of sculptures and works on paper that focus on the concept of monumentality, drawing inspiration from the traditions of Mexican stone carving and Pre-Columbian civili­zation and indigenous communities. On the occasion of the opening, Reyes will lead a walkthrough of the show alongside Anne Ellegood, Good Works Executive Director at the ICA LA. Explore further and plan your visit at the link in our bio. #PedroReyes #LissonGallery #LissonLA

‘Dear Earth: Art and Hope in a Time of Crisis’ @hayward.gallery (21 Jun –⁠ 3 Sep 2023), opens today featuring a series of works by Otobong Nkanga (@otobongnkanga). The title is inspired by Nkanga’s suggestion that ‘caring is a form of resistance’. This pioneering group show of artistic responses to the climate emergency explores themes of care, hope, interdependence, emotional and spiritual connection, and activism. The exhibition highlights the ways in which artists are helping to reframe and deepen our psychological and spiritual responses to the climate crisis, hoping to inspire joy and empathy as well as promoting a sense of political and social activism. The 15 artists explore the interdependence of ecologies and ecosystems, as well as our emotional connection with nature. Read more and book tickets via @hayward.gallery Shown here: Installation view of Otobong Nkanga, ‘Dear Earth: Art and Hope in a Time of Crisis’ (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. #OtobongNkanga #HaywardGallery