reclaim the bookshelf. a podcast that ran 2016-2021 #ReadingWomenChallenge Part of @LitHubRadio
79.7% pratilaca @thereadingwomen su ženskog pola, a 20.3% su muškog pola. Prosečna stopa angažovanja na objavama je oko 0.23%. Prosečan broj lajkova po objavi je 497, a prosečan broj komentara je 9.
@thereadingwomen voli da objavljuje oObrazovanje, Knjige, Pisci.
217,477
Pratilaca
0.23%
Stopa angažovanja
506
Angažovanje po objavi
497
Prosečan broj lajkova po objavi
9
Prosečan broj komenara po objavi
228,354
Globalni rang
71,542
Rangiranje po zemljama
1,650
Rangiranje po kategorijama
Rast broja pratilaca i objava
Trend rasta stope angažovanja
Pol publike
Vodeća starosna grupa
Interesi
Stopa angažovanja
Lajkovi i komentari
Značajni influenseri
Afinitet brendu kod publike
Slični nalozi
312,139 followers
290,572 followers
267,390 followers
249,706 followers
243,356 followers
225,346 followers
222,562 followers
203,005 followers
193,473 followers
190,557 followers
187,654 followers
167,344 followers
157,151 followers
148,681 followers
145,139 followers
143,408 followers
138,214 followers
126,022 followers
118,829 followers
109,528 followers
Nedavne objave
ICYMI Kendra (@kdwinchester) interviewed @kylelucia Wu about her novel WIN ME SOMETHING. In their conversation, Wu discusses how her main character faces microagressions in her everyday life and how that experiences informs the direction of the novel: Kyle: "I wanted to focus on this experience of growing up around microaggressions rather than things that were more explicitly racist because I feel that the confusion of growing up in—or just existing, actually, I shouldn’t just say growing up—I feel that the confusion of existing around this kind of microaggressions is very confusing, especially if you don’t have real context or real information. . . . "And because the book was so much about gray spaces and being in the margins, I felt that it made sense to focus on microaggressions, which are also kind of like in these gray spaces. They’re sometimes committed by people who are really well intentioned. And then that can be a defensive of things like that sometimes. People say, “oh, they didn’t mean it that way.” Or, “that wasn’t intentional.” And, well, is that a defense? And what does it mean? And how does that actually protect the people who are experiencing them? I feel that it just further muddles this field of how Willa knows how to interact with the world, how to engage with people. "How does she know who’s on her side or not on her side when she can’t quite tell what the impact or the intention or if anyone else hears what she’s hearing—because I think one of the things about microaggressions is that they can go really unnoticed by a lot of people. Not you, not whoever is experiencing it, but sometimes you’re the only one who feels that impact, and no one else seems to feel it. It’s very difficult because you’re like, am I the one? Is this in my head? Did that really happen? Is my reaction right? And then it leads to this whole other sense of spiralling. So I was trying to capture just that confusion and the experience of living amongst things like that." Have a listen to the interview wherever you get your podcasts! [Image Description: A photo of the books WIN ME SOMETHING by Kyle Lucia Wu sitting on a stone shelf.]
613
9
In one of our last interviews, Kendra (@kdwinchester) interviewed Myriam J.A. Chancy about her novel WHAT STORM WHAT THUNDER. In the interview, Myriam discusses why she writes fiction: Myriam: "I enjoy writing novels because I think it allows you to really center the human experience in history. Right? I mean, we have our historians. We have excellent historians who can do that kind of work. Or we have people who are in some way, not quite journalists, but who are able to do the conversations on the ground and and frame those for a wider readership. "But I think that fiction does something that those works cannot do, which is to allow the reader to enter a world, you know, on its own ground and to really feel what it might be like to have been in that particular historical moment or historical historical experience. So I think, like Ward, my intent was to make you travel with the characters as opposed to feeling like you were outside of it and reading a report about the events—you know, that you would really want to see the outcome for the characters and want to be led by them, whatever those outcomes might be. I think that’s what fiction can do that no other genre can do quite as well. "I mean, certainly, I think memoir can do a great deal of that. But memoir is very particular to usually, you know, one individual’s experience or in the case of the Danticat memoir that I mentioned earlier, you know, it only can cover a few lives. I think with fiction, you can do. . . . It’s much more pliable, right? Because even though memoir utilizes some aspects of fiction to tell the story of a period or of a person, fiction really allows you to go into so many places that . . . that, you know, that you can’t really render with as much flexibility when you’re doing memoir or journalism." You can listen to the entire interview wherever you get your podcasts! [Image Description: A photo of the book WHAT STORM, WHAT THUNDER Myriam J.A. Chancy. The book is sitting a stone shelf.]
436
3
ICYMI Joce (@squibblesreads) interviewed Jung Yun about her latest novel O BEAUTIFUL. Joce: "I feel like everything that you said there really plays into this long-running theme in O Beautiful of newcomers versus old timers, or insiders versus outsiders in the stories that they tell in the book. And I’m curious, what ways did you want to explore those themes in O Beautiful?" Jung Yun: "One of the reasons why I think Elinor was the character that I eventually landed on to be the main character in this sort of lens through which the story is taking place is that she grew up in the state to a white father and a Korean American mother. And by virtue of her family background, always felt like she had one foot in and one foot out of different communities—and complicated by the fact that her father was an Air Force officer in a very tightly knit military community. So she has had those experiences of being sort of the “outsider” in her home state in a community that . . . that should have been more accepting of her and her family. And this is one of the reasons why she wanted to leave the state and move to the East Coast as soon as she was able to. The irony is that she gets this plum assignment to write about the oil boom because she’s considered an “insider” by virtue of being from the state and being from this region. "So throughout the novel she is . . . is sort of dealing with those tensions of her history and experiencing them kind of anew as she meets people who are either of the community or from outside of the community coming in. And, you know, all of them making various assumptions about who she is and what she’s doing there and and whether or not she “belongs.” So these were issues that I was thinking about very, very early on when the novel wasn’t even fully formed in my head as a novel yet. So, yeah, these ideas have been circling around for quite some time." Have a listen wherever you get your podcasts! [Image Description: A photo of the book O Beautiful by Jung Yun. The cover features a painting of a landscape with oil rigs in the distance.]
496
4
* Autorsko pravo: Kreatori sadržaja imaju podrazumevana autorska prava. Ove informacije, uključujući slike, tekstove, video zapise, objave i profile, su objavljeni na javnim domenima i odgovarajućim društvenim medijima radi javnog pregleda.
ČPP: Statistika i uvidi za Instagram naloge na @thereadingwomen
Kako mogu pristupiti statistici i analitici za Instagram naloge na @thereadingwomen?
StarNgage nudi sveobuhvatne analitičke izveštaje koji pružaju ključne metrike i uvide kako biste potpuno razumeli @thereadingwomen. Možete istražiti različite aspekte, uključujući statistiku pratilaca na Instagram, kao što su trendovi rasta pratilaca i objava, stopa angažovanja i njeni trendovi rasta. Takođe, možete pristupiti informacijama o prosečnom broju lajkova i komentara po objavi, uvid u demografiju vaših pratilaca ili publike, podatke o afinitetu brendova, pomenute relevantne heštagove, slične naloge i najnovije objave.
Koliki je trenutni broj pratilaca za @thereadingwomen na Instagram?
Prema najnovijim podacima, @thereadingwomen ima posvećenu grupu pratilaca od 217,477 pratilaca na Instagram.
Koje uvide i analitiku sadrži potpuni izveštaj za @thereadingwomen na Instagram?
Naš potpuni analitički izveštaj za Instagram pruža sveobuhvatan pregled @thereadingwomen na Instagram. Ovaj izveštaj sadrži detaljne informacije o rastu pratilaca tokom vremena, metrikama angažovanja i učestalosti objava, kako nedeljno tako i mesečno. Da biste pristupili ovom detaljnom izveštaju, molimo vas da se registrujete i kreirate novi StarNgage nalog ili se prijavite na svoj postojeći nalog.
Mogu li pratiti kako se razvija stopa angažovanja @thereadingwomen na Instagram?
Da, StarNgage-ovi alati za analitiku omogućavaju praćenje razvoja stope angažovanja @thereadingwomen tokom vremena na Instagram. Ovi podaci vam pomažu da procenite efektivnost strategija angažovanja koje koristi @thereadingwomen.
Kako razumevanje demografije @thereadingwomen publike na Instagram može biti korisno?
Sticanje uvida u demografiju @thereadingwomen publike na Instagram može biti od velike vrednosti. Ovo vam omogućava da prilagodite svoje influenserske sadržaje i marketinške strategije kako biste bolje odgovarali pratilcima @thereadingwomen, jer ćete imati informacije o njihovom uzrastu, polu, lokaciji i interesovanjima.
Kako mogu iskoristiti podatke o afinitetu brendova kako bih unapredio marketinšku strategiju na Instagram sa @thereadingwomen?
Podaci o afinitetu brendova su moćan alat za razumevanje za koje brendove ili proizvode je vaša publika najviše zainteresovana. Ove informacije mogu vam pomoći da unapredite saradnju sa brendovima i partnerstva na Instagram, što će poboljšati angažovanje sa ciljanom publikom.