reclaim the bookshelf. a podcast that ran 2016-2021 #ReadingWomenChallenge Part of @LitHubRadio
79.7% van de volgers van @thereadingwomen is vrouwelijk en 20.3% is mannelijk. De gemiddelde betrokkenheid bij de posts is ongeveer 0.23%. Het gemiddelde aantal likes per post is 497 en het gemiddelde aantal reacties is 9.
@thereadingwomen houdt ervan om te posten overOnderwijs, Boeken, Schrijvers.
217,477
Volgers
0.23%
Betrokkenheidspercentage
506
Betrokkenheid per post
497
Gemiddeld aantal likes per post
9
Gemiddeld aantal reacties per post
228,354
Wereldwijde positie
71,542
Land-positie
1,650
Categorie-positie
Groei-trends volgers en posts
Groei-trends betrokkenheidspercentage
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Betrokkenheidspercentage
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Recente Posts
ICYMI Kendra (@kdwinchester) interviewed @kylelucia Wu about her novel WIN ME SOMETHING. In their conversation, Wu discusses how her main character faces microagressions in her everyday life and how that experiences informs the direction of the novel: Kyle: "I wanted to focus on this experience of growing up around microaggressions rather than things that were more explicitly racist because I feel that the confusion of growing up in—or just existing, actually, I shouldn’t just say growing up—I feel that the confusion of existing around this kind of microaggressions is very confusing, especially if you don’t have real context or real information. . . . "And because the book was so much about gray spaces and being in the margins, I felt that it made sense to focus on microaggressions, which are also kind of like in these gray spaces. They’re sometimes committed by people who are really well intentioned. And then that can be a defensive of things like that sometimes. People say, “oh, they didn’t mean it that way.” Or, “that wasn’t intentional.” And, well, is that a defense? And what does it mean? And how does that actually protect the people who are experiencing them? I feel that it just further muddles this field of how Willa knows how to interact with the world, how to engage with people. "How does she know who’s on her side or not on her side when she can’t quite tell what the impact or the intention or if anyone else hears what she’s hearing—because I think one of the things about microaggressions is that they can go really unnoticed by a lot of people. Not you, not whoever is experiencing it, but sometimes you’re the only one who feels that impact, and no one else seems to feel it. It’s very difficult because you’re like, am I the one? Is this in my head? Did that really happen? Is my reaction right? And then it leads to this whole other sense of spiralling. So I was trying to capture just that confusion and the experience of living amongst things like that." Have a listen to the interview wherever you get your podcasts! [Image Description: A photo of the books WIN ME SOMETHING by Kyle Lucia Wu sitting on a stone shelf.]
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In one of our last interviews, Kendra (@kdwinchester) interviewed Myriam J.A. Chancy about her novel WHAT STORM WHAT THUNDER. In the interview, Myriam discusses why she writes fiction: Myriam: "I enjoy writing novels because I think it allows you to really center the human experience in history. Right? I mean, we have our historians. We have excellent historians who can do that kind of work. Or we have people who are in some way, not quite journalists, but who are able to do the conversations on the ground and and frame those for a wider readership. "But I think that fiction does something that those works cannot do, which is to allow the reader to enter a world, you know, on its own ground and to really feel what it might be like to have been in that particular historical moment or historical historical experience. So I think, like Ward, my intent was to make you travel with the characters as opposed to feeling like you were outside of it and reading a report about the events—you know, that you would really want to see the outcome for the characters and want to be led by them, whatever those outcomes might be. I think that’s what fiction can do that no other genre can do quite as well. "I mean, certainly, I think memoir can do a great deal of that. But memoir is very particular to usually, you know, one individual’s experience or in the case of the Danticat memoir that I mentioned earlier, you know, it only can cover a few lives. I think with fiction, you can do. . . . It’s much more pliable, right? Because even though memoir utilizes some aspects of fiction to tell the story of a period or of a person, fiction really allows you to go into so many places that . . . that, you know, that you can’t really render with as much flexibility when you’re doing memoir or journalism." You can listen to the entire interview wherever you get your podcasts! [Image Description: A photo of the book WHAT STORM, WHAT THUNDER Myriam J.A. Chancy. The book is sitting a stone shelf.]
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ICYMI Joce (@squibblesreads) interviewed Jung Yun about her latest novel O BEAUTIFUL. Joce: "I feel like everything that you said there really plays into this long-running theme in O Beautiful of newcomers versus old timers, or insiders versus outsiders in the stories that they tell in the book. And I’m curious, what ways did you want to explore those themes in O Beautiful?" Jung Yun: "One of the reasons why I think Elinor was the character that I eventually landed on to be the main character in this sort of lens through which the story is taking place is that she grew up in the state to a white father and a Korean American mother. And by virtue of her family background, always felt like she had one foot in and one foot out of different communities—and complicated by the fact that her father was an Air Force officer in a very tightly knit military community. So she has had those experiences of being sort of the “outsider” in her home state in a community that . . . that should have been more accepting of her and her family. And this is one of the reasons why she wanted to leave the state and move to the East Coast as soon as she was able to. The irony is that she gets this plum assignment to write about the oil boom because she’s considered an “insider” by virtue of being from the state and being from this region. "So throughout the novel she is . . . is sort of dealing with those tensions of her history and experiencing them kind of anew as she meets people who are either of the community or from outside of the community coming in. And, you know, all of them making various assumptions about who she is and what she’s doing there and and whether or not she “belongs.” So these were issues that I was thinking about very, very early on when the novel wasn’t even fully formed in my head as a novel yet. So, yeah, these ideas have been circling around for quite some time." Have a listen wherever you get your podcasts! [Image Description: A photo of the book O Beautiful by Jung Yun. The cover features a painting of a landscape with oil rigs in the distance.]
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* Auteursrecht: De contentmakers zijn de standaard auteursrechthouders. Deze informatie inclusief afbeeldingen, teksten, video's, posts en profielen zijn gepubliceerd op openbare platforms en bijbehorende sociale media voor publieke weergave.
Veelgestelde vragen: Instagram Statistieken en Inzichten voor @thereadingwomen
Hoe kan ik toegang krijgen tot Instagram statistieken en analyses voor @thereadingwomen?
StarNgage biedt uitgebreide analytische rapporten die belangrijke statistieken en inzichten verschaffen om je een volledig begrip van @thereadingwomen te geven. Je kunt verschillende aspecten verkennen, waaronder Instagram volgerstatistieken, zoals groeitrends van volgers en posts, betrokkenheidscijfer en de groeitrends daarvan. Daarnaast kun je informatie krijgen over het gemiddelde aantal likes en reacties per post, inzichten in de demografie van je volgers of publiek, merkaffiniteitsgegevens, vermeldingen van relevante hashtags, vergelijkbare accounts en de meest recente posts.
Wat is het huidige aantal volgers voor @thereadingwomen op Instagram?
Vanaf de nieuwste update heeft @thereadingwomen een toegewijde volgende van 217,477 volgers op Instagram opgebouwd.
Welke inzichten en analyses zijn opgenomen in het volledige rapport voor @thereadingwomen op Instagram?
Ons complete analyserapport van Instagram geeft een uitgebreid overzicht van @thereadingwomen op Instagram. Dit rapport bevat gedetailleerde informatie over volgersgroei in de tijd, betrokkenheidsmetrics en postfrequentie, zowel op wekelijkse als maandelijkse basis. Om toegang te krijgen tot dit uitgebreide rapport, registreer je vriendelijk en maak je een nieuw StarNgage-account aan of log je in op je bestaande account.
Kan ik volgen hoe het betrokkenheidscijfer van @thereadingwomen is geëvolueerd op Instagram?
Ja, StarNgage's analysetools stellen je in staat om te volgen hoe het betrokkenheidscijfer van @thereadingwomen in de tijd is geëvolueerd op Instagram. Deze gegevens helpen je de effectiviteit van @thereadingwomen betrokkenheidsstrategieën te beoordelen.
Hoe kan het begrijpen van de demografie van het publiek van @thereadingwomen op Instagram helpen?
Het verkrijgen van inzicht in de demografie van het publiek van @thereadingwomen op Instagram kan van onschatbare waarde zijn. Het stelt je in staat om je influencercontent en marketingstrategieën af te stemmen op de volgers van @thereadingwomen, omdat je informatie hebt over hun leeftijd, geslacht, locatie en interesses.
Hoe kan ik merkaffiniteitsgegevens gebruiken om mijn marketingstrategie op Instagram met @thereadingwomen te verbeteren?
Merkaffiniteitsgegevens zijn een krachtig hulpmiddel om te begrijpen in welke merken of producten je publiek het meest geïnteresseerd is. Deze informatie kan je begeleiden bij samenwerkingen en partnerships op Instagram, waardoor je betrokkenheid bij je doelgroep wordt verbeterd.