Organized by Megan Fontanella (@meganfontanella), Curator of Modern Art and Provenance, "Young Picasso in Paris," showcases ten early paintings and works on paper, offering a glimpse into the Spanish-born artist's formative time in the vibrant city of Paris at the turn of the twentieth century. The exhibition also highlights a pivotal work, "Le Moulin de la Galette," recently the subject of an extensive conservation research, analysis, and treatment project. Julie Barten, Senior Painting Conservator and Associate Director of Conservation Affairs, carried out the illuminating treatment. “Young Picasso in Paris” is on view through August 6! Plan your visit at the link in our bio. #PicassoCelebration #CelebracionPicasso ___ This exhibition is part of the Picasso Celebration 1973–2023 program, organized with the support of the Musée national Picasso, Paris (@museepicassoparis).

Now on view → Gego: Measuring Infinity Gego is one of the most significant artists to emerge from Latin America during the second half of the 20th century. Exploring the relationship between line, space, and volume, her practice in the related fields of architecture, design, and teaching complemented those investigations. Curated by Pablo León de la Barra (@pablodelabarra), Curator at Large, Latin America, and Geaninne Gutiérrez-Guimarães (@geaninne_guimaraes), Associate Curator, "Gego: Measuring Infinity" will ground her practice in the artistic contexts of Latin America that flourished throughout her lengthy career in two- and three-dimensional works across a variety of mediums. Plan your visit at the link in our bio! #GegoMeasuringInfinity ___ The museum is thankful for the tremendous support from and the close collaboration with the Fundación Gego (@fundagego). Photo: © Scott Rudd

Now on view → Sarah Sze: Timelapse For over three decades, Sarah Sze (@sarahszestudio) has developed a distinct visual language that boldly traverses sculpture, painting, installation, video, drawing, printmaking, and sound. Employing everyday objects and images, she explores how value is ascribed and behavior is formed in a world that embraces both the physical and the digital. Organized by Kyung An (@huikyungan), Associate Curator of Asian Art, "Sarah Sze: Timelapse" will transform the iconic Guggenheim architecture into a tool for timekeeping and a meditation on the multitude of ways that we mark and experience the passage of time. Plan your visit at the link in our bio! #SarahSzeTimelapse ___ Exhibition technology is generously provided by LG (@LGUSA). Photo: © Scott Rudd

Throughout the 1980s, Laurie Simmons depicted objects such as toy ballerinas, tiny cowboys, and what she called "Walking Objects." Taken in 1987, this photo is inspired by the dancing cigarette packages she saw in tv commercials. Simmons's giant camera is a film prop worn by her friend, photographer Jimmy De Sana and a witty metaphor for the prevalence of photography in our culture. ___ Pictured: Laurie Simmons, "Walking Camera I (Jimmy the Camera), 1987. © Laurie Simmons. #LaurieSimmons #NationalCameraDay

Gego's interest in weaving permeated her artistic language. In this large-scale untitled tapestry, interlaced cords of synthetic fiber run across the composition in parallel and loop at opposite ends, yielding a woven surface, that is, at intervals, translucent. Gego used linear elements to generate abstract patterning. #GegoMeasuringInfinity 📷: Juliana Faith Chi (@_julifaith) ___ Pictured: Gego, "Sin título," ca. 1987. © Fundación Gego (@fundagego)

Sarah Sze often speaks about the experience of time—itself, an accumulation of moments—in terms of splicing, editing, and collecting. #SarahSzeTimelapse 📷: Mehrad Ahari (@mehradahari)

☀️ During the summer of 1923, Joan Miró began painting "The Tilled Field," a view of his family's farm in Montroig, Catalonia. This painting is the first example of Miró's Surrealist vision. ___ Pictured: Joan Miró, "Prades, the Village," summer 1917 © 2023 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris. #JoanMiró #Summertime

Today's #FrankLloydWrightFridays submission is by Jana Polak (@janapolak): ✨ "I love people watching in museums. It was my first time at the Guggenheim and there was something playful about the spiral architecture. It made me want to capture some of the joyful interactions between the people, building and the artwork." ✨

Poetry by Ama Codjoe, Guggenheim Poet-in-Residence. #GuggenheimPoetry . Guggenheim Poet-in-Residence is made possible by Van Cleef & Arpels (@vancleefarpels). Text: © Ama Codjoe; "Poetic Encounters" © 2023

☀️ 🎶 In the summertime, when the weather is high you can stretch right up and touch the sky. 🎶 ☀️ Happy first day of summer! It’s officially summertime, and we’re having a Guggenheim summer giveaway! Five lucky winners will receive a tote bag full of Guggenheim goodies. 🛍 🌀 All you have to do is let us know in the comments below how you plan on incorporating art into your life this summer. Content ends Friday, June 30, 6 PM EDT. Winners will be DM'd. ___ Full terms and conditions at the link in bio.

Gego put forth radical ideas through her investigations of structural systems: transparency, tension, fragility, spatial relations, and the optical effects of motion are all methodically addressed in her singular body of work. #GegoMeasuringInfinity

A flowing river of images traces the Guggenheim's exterior, echoing the movement of the traffic and passersby at street level. A live-feed projection of the moon on the curved rotunda facade will mirror its cycle throughout the exhibition's run. #FrankLloydWrightFridays "Sarah Sze: Timelapse" is now on view. #SarahSzeTimelapse ___ Pictured: Sarah Sze, "Wider than the Sky" projection, 2023. Photo: David Heald