Goldcoastghana_'s Instagram Audience Analytics and Demographics
@goldcoastghana_
Ghana
Business Category
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Learn MorePROFILE OVERVIEW OF GOLDCOASTGHANA_
30.8% of goldcoastghana_'s followers are female and 69.2% are male. Average engagement rate on the posts is around 1.07%. The average number of likes per post is 1038 and the average number of comments is 11.
Goldcoastghana_ loves posting about Education, Life and Society, News.
Check goldcoastghana_'s audience demography. This analytics report shows goldcoastghana_'s audience demographic percentage for key statistic like number of followers, average engagement rate, topic of interests, top-5 countries, core gender and so forth.
Followers
Posts
GENDER OF ENGAGERS FOR GOLDCOASTGHANA_
AUDIENCE INTERESTS OF GOLDCOASTGHANA_
- Entertainment 63.72 %
- Beauty & Fashion 55.65 %
- Children & Family 54.38 %
- Music 53.62 %
- Business & Careers 47.48 %
- Art & Design 42.62 %
- Fitness & Yoga 39.35 %
- Movies and TV 36.18 %
- Restaurants, Food & Grocery 32.84 %
MENTIONED HASHTAGS OF GOLDCOASTGHANA_
- jamesbarnor 3
- jamesbarnorarchives 3
- ghana 2
- 1970s 2
- accra 2
RECENT POSTS
Kakraba Mingle, Accra, 1970s Within the walls of Studio X23, open 1973-91, Barnor did not take a single colour portrait. Indeed, black and white film was more practical for indoor photography, and had the advantage of being more economically accessible for the photographer and his clientele. Colour film was mainly used outdoors, for special occasions and corporate commissions. In this portrait of Kakraba Mingle, James' cousin, wearing kente and a tekua headdress, colour reveals the striking colours of her ceremonial dress. In her 2021 essay on Barnor's endeavour into colour photography, @margaux.lavernhe observes that "colour allowed for a new expression of emblematic signs of Ghanaian culture. [...] Generally speaking, one may suppose that the messages associated with different colours of kente would bring about higher significance once honoured with chromatic techniques." Go to the link in bio to read @margaux.lavernhe's full article "James Barnor, passeur de couleurs entre Europe et Ghana", published in Photographica n°3, 2021. @james_barnor_archives #colourphotography #jamesbarnor #jamesbarnorarchives #kente #tekua #ghana #studiox23 #1970s #everyoung #photographica #margauxlavernhe
Mother and son in the Lona printing press courtyard, Studio X23, Accra, 1970s @james_barnor_archives #jamesbarnor #jamesbarnorarchives #mothersday #accra #ghana
Looking groovy. A wedding guest in the park behind Holy Trinity Cathedral, Accra, c. 1971 @james_barnor_archives #jamesbarnor #jamesbarnorarchives #accra #1970s #rencontresarles #luma #clementinedelaferonniere
Accra, 1974-1975 Model posing for Agip F1 calendar @james_barnor_archives #JamesBarnor #Accra #Ghana #1970 #colorprint #EverYoung #clementinedelaferonniere #agip
Laura Tawiah Quartey, Accra, Late 1970s. @james_barnor_archives
Spectators at the Accra sports stadium, Ghana, Ca. 1950-60s. @anitaowusu_
Three lawyers coming out of a military trial after an attempted coup, Accra, c. 1973-74. @james_barnor_archives
Portraits of a man at a gas station, Ghana, 1970s. @james_barnor_archives
Ghana celebrates independence, 1957. Source: British Pathe
Made In Ghana, factories established in Ghana, 1950s-1960s. Source: Metro Tv
Brigadier Akuffo Reports on the Success of Ghana's Right-Hand Traffic Change Over, October 1974 Footage of a press conference held by Brigadier Frederick Akuffo, the Commander of Ghana's army and chairman of the Right-Hand Drive Committee, on the largely successful transition to right-hand traffic. Reuters News Archive
Accra and Tema, Ghana, 1970s. By Barry Burtenshaw
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