Phlakemansion's Instagram Audience Analytics and Demographics
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PROFILE OVERVIEW OF PHLAKEMANSION
60.3% of phlakemansion's followers are female and 39.7% are male. Average engagement rate on the posts is around 3.30%. The average number of likes per post is 490 and the average number of comments is 15.
Phlakemansion loves posting about Music, DJ, Producers.
Check phlakemansion's audience demography. This analytics report shows phlakemansion's audience demographic percentage for key statistic like number of followers, average engagement rate, topic of interests, top-5 countries, core gender and so forth.
GENDER OF ENGAGERS FOR PHLAKEMANSION
AUDIENCE INTERESTS OF PHLAKEMANSION
- Beauty & Fashion 68.11 %
- Music 50.35 %
- Books and Literature 46.90 %
Tonight is the night! At 19:30(CEST), we will premiere the FULL concert from our show in DR Koncerthuset, Koncertsalen, from the Can We Talk? Tour. (Link in bio) Remember, we will be watching the show with you, so if you have any questions to us or our bandmates, just ask! See U later 💓 photos by @sarah_buthmann
Watch the WHOLE CONCERT with ÛS on facebook, tonight (sunday) at 19.30 (Danish time). Go to our facebook page to get a reminder (link in bio) It’s the premiere of our concert recorded in a sold out DR Concert Hall, Koncertsalen, in Copenhagen, from the “Can We Talk? Tour” in November 2018. Us and the guys from the band will be watching the premiere together with you on facebook and we'll be ready to answer any questions you might have 🍻 See you then! #snippets #ouch #therascal #phlake #watchthewholethingtomorrow
In 2017 Jonathan Elkær (producer and one half of phlake) did a song with @alinabaraz and @thegr8khalid . It was such a coincidence. Khalid’s verse was add’ed to the song at the very last minute and the song came out shortly after. Khalid had a few singles out at that point but wasn’t a super star yet. His debut album “American Teen” dropped shortly after Electric was released and everything just exploded. We met Khalid for the first time last year at Northside Festival, where he played simultanously with Phlake. So we weren’t able to watch him perform. But we had a good chat about the song and everything. Jonathan did the production/music for the song in Copenhagen after Alina sent her vocals over. Shortly after - while Phlake was in LA - Khalid’s a&r sent his vocal parts and Jonathan finished the song in the living room of an airbnb house with just a laptop, headphones and a midi keyboard. Jonathan had like 2-3 days to finish the song due to a deadline and sat day and night in nothing but his boxers working on the song. It was released like three weeks after. We where still in LA at that point working on Phlake’s second album “Weird Invitations” where Alina Baraz also ended up featuring on the song “Gone”. Gone was also made without us being in the room with Alina. Music is all about co-laboration and having fun in the studio (or wherever you make your music). But its definately possible to make great music without meeting in person. Worth remembering these days. Thank you @alinabaraz for this one! And thanks for listening 💙 #200mio
FEW TICKETS LEFT for our concert @vegacph 14.11.2020 (ticket link in story) 📸 @hyggeministeren
by:Larm boys ✨
We are exiteddd to play @bylarmfestivalen tonight 00:00 at sentrum scenen 🗻🇳🇴 + we are live on Norwegian radio 13:00 on @nrkp13 and 14:00 on @nrkp2 today
weekend vibes with @louiswindingborresen ⛓🤍 photo by @galanegrello
🕴🏼🕴🏼 photo by @camillalundbyephotography
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